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https://link.springer.com/chapter/10.1007%2F978-94-011-1140-9_6
The theory of labour supply is predicated on the assumption that work is simply a means to income. Workers are assumed to have a positive preference for leisure time and a negative preference or disutility for time spent working. The standard model shows leisure (the obverse of work time) and income as normal goods with a convex preference system.Cited by: 109
https://www.cabdirect.org/cabdirect/abstract/19951803494
A work-preference model of artist behaviour. Author(s) : Throsby, D. ... Abstract : The purpose of this paper is to create a model for artist behaviour which combines both the desire to follow a particular calling and the need to earn a minimum income for survival. It assumes that the artist is driven by an irresistible desire to create art in ...Cited by: 109
https://www.arts.gov/sites/default/files/Research-Art-Works-IUPUI1.pdf
is solely a means to income. In the work-preference model, the artist is partly driven by the satisfaction he receives from creating art. Thus, an artist’s labor supply function is comprised of variables measuring both financial and non-financial benefits from work. Further efforts to distinguish the employment behavior of artists to that ...
https://dspace.library.uu.nl/bitstream/handle/1874/815/c2.pdf
This rationale is particularly relevant to the ‘work-preference’ model, which is the subject of this chapter. Economists have typically modelled the unusual behaviour of artists by making marginal alterations to the standard labour market theories. The initial point of departure has
https://link.springer.com/article/10.1007/s10824-020-09400-5
Jan 12, 2021 · A work-preference model of artist behaviour. In A. Peacock & I. Rizzo (Eds.), Cultural economics and cultural policies (pp. 69–80). Dordrecht: Kluwer Academic Publishers.Author: Andrea Baldin, Trine Bille
https://www.sciencedirect.com/science/article/pii/S016517651300298X
Oct 01, 2013 · A work-preference model of artist behaviour A. Peacock , I. Rizzo (Eds.) , Cultural Economics and Cultural Policies , Kluwer , Dordrecht ( 1994 ) Google Scholar
http://www.cairn.info/revue-d-economie-politique-2010-1-page-47.htm
Such a “work preference” model of labour supply yields predictions of behaviour at variance with the usual textbook construct – for example, a wage rise in the non-arts occupation may induce less work in that occupation, because it enables more time to be devoted to the arts, a phenomenon akin to the backward-bending supply curve of ...
https://www.researchgate.net/publication/233241334_Multiple_job_holding_The_artist's_labour_supply_approach
Abstract and Figures This article analyses a labour supply model in which individuals maximize a utility function that depends on leisure time, consumption and time devoted to an activity that is...
https://www.researchgate.net/profile/Alex-Cuntz/publication/329610574_Unpacking_predictors_of_income_and_income_satisfaction_for_artists/links/5c121d0ea6fdcc494ff0662b/Unpacking-predictors-of-income-and-income-satisfaction-for-artists.pdf
In applications of this work-preference model, artists find non-pecuniary “reputational rewards” within praise and appreciation for their work from peers and critics (Bourdieu, 1992;
http://teachingforartisticbehavior.org/index.html
What is TAB? Teaching for Artistic Behavior (TAB) is a PreK-12 learner-directed approach that meets the needs of all learners through choice, agency, flexibility, and emergent curriculum.
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