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https://www.tate.org.uk/art/artworks/abakanowicz-backs-t12981
Artwork page for ‘Backs’, Magdalena Abakanowicz, 1976–80. Dimensions Object, each: 660 × 580 × 680 mm
https://artloopopen.com/2018/10/plecy-backs-sculpture-by-magdalena-abakanowicz/
Plecy / Backs sculpture are twelve hollowed-out human figures that are sitting in a row. They were made by Magdalena Abakanowicz from Poland in the year 1974. Elements of this artwork. Lines. There are various lines on the back of this sculpture.
http://www.abakanowicz.art.pl/
backs: crowds: animals: coexistence: abakans and ropes: War Games: Skulls: drawings and paintings: arboreal architecture: about the artist "Agora" 106 iron cast figures, each about 9 feet tall, shell like, frozen in walking movement.
https://landmarks.utexas.edu/artist/magdalena-abakanowicz
As demand for her sculptures increased, Abakanowicz had her burlap figures cast into bronze editions. In some figures, the artist eliminated heads and necks; in others, the hands or feet and even the entire front or rear of the body, as in the monumental Backs of 1976–82.
https://culture.pl/en/artist/magdalena-abakanowicz
Born 1930 in Falenty near Warsaw, she lived and worked in Warsaw. One of Poland's most internationally-acclaimed artists, Abakanowicz is known for works that transcend the conventional sphere of sculpture production. She passed away on 20th April 2017.
https://www.tate.org.uk/art/artists/magdalena-abakanowicz-10093
Marta Magdalena Abakanowicz-Kosmowska (20 June 1930 – 20 April 2017) was a Polish sculptor of Tartar descent and fiber artist. She is notable for her use of textiles as a sculptural medium and her outdoor installations. She is widely regarded as one of Poland's most internationally acclaimed artists. She was a professor at the Academy of Fine Arts in Poznań, Poland, from 1965 to 1990 and a visiting …
https://www.christies.com/Features/Guide-to-artist-Madgdalena-Abakanowicz-10268-1.aspx
After the Abakans, Abakanowicz moved onto series in which she surveyed the human body: such as ‘Heads’ (1973-75), ‘Seated Figures’ (1976) and ‘Backs’ (1976-82), which consisted of a group of anonymous figures, arranged in geometric order and — depending on the series — distinguished by being headless, limbless, sexless or expressionless.
http://www.abakanowicz.art.pl/about/-about.php.html
Organic, with the imprint of the artist"s fingers. Their surface is natural like tree bark or animal fur or wrinkled skin. Like all her sculptures also these works are unique objects. Magdalena Abakanowicz was born in an aristocratic Polish-Russian family on her parent"s estate in Poland. The war broke out when she was nine years old.
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