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Vito Acconci - 59 Artworks, Bio & Shows on Artsy

    https://www.artsy.net/artist/vito-acconci
    Best known for his controversial Body Art of the 1960s and ’70s, Vito Acconci has led a diverse career, one that has taken him from poetry through performance, video work to architecture.Nationality: American

Vito Acconci Artnet

    http://www.artnet.com/artists/vito-acconci/
    Vito Acconciwas a contemporary American poet, performance artist, and architect—a founder of the Performance Art movement. He has been immortalized in the canon of art history for his seminal works, including the infamous Seedbed(1971), which Marina Abramovicre-performed in 2005.Nationality: American

Acconci Studio

    http://acconci.com/

Vito Acconci 1940 – 2017 Tate

    https://www.tate.org.uk/art/artists/vito-acconci-623
    Vito Acconci (Italian: [ˈviːto akˈkontʃi], ; January 24, 1940 – April 27, 2017) was an influential American performance, video and installation artist, whose diverse practice eventually included sculpture, architectural design, and landscape design.

Vito Acconci Biography – Vito Acconci on artnet

    http://www.artnet.com/artists/vito-acconci/biography
    Vito Acconci (American, b.1940) is a sculptor, video artist, performance artist, and architect born in the Bronx, NY. He earned a BA from the College of the Holy Cross in Worcester, MA, and, from 1962 until 1964, he was enrolled in the University of Iowa’s MFA writing program.Nationality: American

Revisiting Vito Acconci’s 5 Most Infamous—and ...

    https://www.wmagazine.com/story/vito-acconci-dead-famous-works
    Apr 28, 2017 · When I visited Vito Acconci last year at his studio in Dumbo, Brooklyn, the artist known as the Godfather of Transgression lamented that his legacy would be the breakthrough performance art …

Fresh Acconci Hammer Museum

    https://hammer.ucla.edu/take-it-or-leave-it/art/fresh-acconci
    Following a conversation about the physical beauty of performance artists, Mike Kelley and Paul McCarthy collaborated on Fresh Acconci, a restaging of early works by the New York–based artist Vito Acconci that explored questions of social interaction, the distinctions between public and private behavior, and the objectification of the human body.

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