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https://www.researchgate.net/scientific-contributions/Aileen-Kavanagh-19063919
Aileen Kavanagh In Re P, the House of Lords decided that art 14 of the Adoption (Northern Ireland) Order 1987 which prohibited unmarried couples from being eligible to adopt, violated articles 8...
https://birrtheatre.wordpress.com/category/architecture-2/
The exhibition is dual –located between Birr Theatre and Arts Centre and Aras an Chontae, Tullamore and features nationally renowned artists such as Karl Burke, Felicity Clear and Maggie Madden alongside local artists, Jackie Lynch, Emma Barone, Aileen Kavanagh and Niall Sweeney. All together 27 artists are exhibiting works, which have been ...
https://www.goodreads.com/book/show/9518622-arguing-about-law
Arguing about Law book. Read reviews from world’s largest community for readers. Arguing about Law introduces philosophy of law in an accessible and enga...3.7/5(6)
https://www.templebargallery.com/exhibitions/aileen-murphy
Nov 16, 2019 · Aileen Murphy (Born Sligo, 1984, lives and works in Berlin), graduated from the National College of Art and Design, Dublin (2007) and then studied under Amy Sillman and Monika Baer at Städelschule, Frankfurt, graduating in 2018. She previously exhibited in Temple Bar Gallery + Studios in 2009 as a member of the collective, Soft Blonde Moustache.
https://birrtheatre.wordpress.com/2013/02/19/artists-on-architecture/
Feb 19, 2013 · The exhibition is dual –located between Birr Theatre and Arts Centre and Aras an Chontae, Tullamore and features nationally renowned artists such as Karl Burke, Felicity Clear and Maggie Madden alongside local artists, Jackie Lynch, Emma Barone, Aileen Kavanagh and Niall Sweeney. All together 27 artists are exhibiting works, which have been ...
https://academic.oup.com/icon/article/13/4/1040/2450829
Introduction In her characteristically incisive and forcefully argued article, Aileen Kavanagh refines and develops a critique she first made in the conclusion of her outstanding 2009 book on the UK Human Rights Act 1998 (HRA). 1 In this reply, I refine and develop my previous response to this critique. 2
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