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http://www.artnet.com/artists/albert-oehlen-2/
Albert Oehlen is an influential contemporary painter working in an eclectic variety of techniques and imagery. Interested in exploring the medium as a genre, his paintings have cycled ceaselessly from abstraction to realism, often serving as a parody or imitation of traditional painting models.Nationality: German
https://www.artsy.net/artist/albert-oehlen
Biography. Albert Oehlen, alongside artists like Martin Kippenberger, came to prominence as part of Hamburg's prodigious art and music scene in the 1980s. In the late ‘80s, he began to challenge the expectations of conventional abstract art in works he deemed "post-non-figurative." Focusing on the process of painting, Oehlen's work is marked by constraints he sets for himself, such as using only …Nationality: German
https://gagosian.com/artists/albert-oehlen/
Albert Oehlen’s oeuvre is a testament to the innate freedom of the creative act. Through expressionist brushwork, surrealist methodology, and self-conscious amateurism he engages with the history of abstract painting, pushing the basic components of abstraction to new extremes.
https://www.saatchigallery.com/artist/albert_oehlen
Albert Oehlen is a master of ironic wit and his paintings are elaborate strategies of provocation. In Untitled, Albert Oehlen subverts the authority of the avant-garde, creating an abstraction of dumbed-down abjection. His painting poses as a deceptive icon of aesthetic contemplation, punctuated with flirtatious eyes returning the viewer’s gaze.
https://www.artuner.com/artists/albert-oehlen/
the artist Albert Oehlen (b.1954, Krefield, Germany) lives and works in Switzerland. He studied at the Hochschule für Bildende Kunst, Hamburg and was professor in the painting department at Kunstakademie Düsseldorf between 2000 and 2009. Oehlen stands apart from the established perception of painting as a form of self-expression.
https://www.maxhetzler.com/artists/albert-oehlen
Nov 16, 2019 · One of the most respected painters today, Albert Oehlen (b. 1954) constantly questions the methods and means of painting to raise a sense of awareness of the medium, which he aims to reinvent and to reshape, always in opposition to traditional hierarchies.
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