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https://www.britannica.com/biography/Alexander-Calder
Alexander Calder, (born July 22, 1898, Lawnton, Pennsylvania, U.S.—died November 11, 1976, New York, New York), American artist best known for his innovation of the mobile suspended sheet metal and wire assemblies that are activated in space by air currents. Visually fascinating and emotionally engaging, those sculptures —along with his monumental outdoor bolted sheet metal stabiles, which only imply …
https://calder.org/introduction/
In the fall of 1931, a significant turning point in Calder’s artistic career occurred when he created his first truly kinetic sculpture and gave form to an entirely new type of art. Many of these early objects moved by motors and were dubbed “mobiles” by Marcel Duchamp—in French mobile refers to both “motion” and “motive” (fig. 13).
https://www.thecollector.com/alexander-calder/
Feb 20, 2020 · The much-used art term “drawing in space” was first used to describe Calder’s artworks by an art critic for the French newspaper Paris-Midi in 1929. As well as a sculptor, Calder was a highly skilled jeweller, and created more than 2,000 items of jewellery, often as gifts for family and friends.Author: Rosie Lesso
https://m.theartstory.org/artist/calder-alexander/
Alexander Calder, known as Sandy, was born into a long line of sculptors, being part of the fourth generation to take up the art form. Constructing objects from a very young age, his first known art tool was a pair of pliers. At eight, Calder was creating jewelry for his sister's dolls from beads and copper wire.
https://quizlet.com/73219985/art-history-chapter-12-flash-cards/
Alexander Calder was one of the first artists to explore the possibilities of _____ with his mobiles. kinetic sculpture. Which of the following works of art were created using the subtractive process of carving? Michelangelo's Awakening Slave. Casting processes …
https://terraingallery.org/aesthetic-realism/art-criticism/alexander-calder-art-answers-the-questions-of-our-lives/
One of the most popular artists of the 20th century, Alexander Calder revolutionized sculpture, added a new dimension to it—motion! He was, said Eli Siegel in his great lecture on sculpture, Weight As Lightness, “[one of] the people who just play topsy-turvy with the older notions of sculpture.” His mobiles were a new art form—
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