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https://www.mitpressjournals.org/doi/pdf/10.1162/DRAM_a_00046
Amelia Jones is Professor and Grierson Chair in Visual Culture at McGill University in Montréal. She has organized exhibitions on contemporary art and on feminist, queer, and anti-racist approaches to
https://www.scribd.com/document/229675887/Amelia-Jones-The-Artist-is-Present
Amelia Jones Te Artist is Present Artistic Re- enactments and the Impossibility of Presence Amelia Jones Figure 1. Marina Abramovic;: Te Artist is Present, 2010. Performance view, …
https://www.scribd.com/document/232174487/Amelia-Jones-the-Artist-is-Present
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https://www.researchgate.net/publication/239862590_The_Artist_is_Present_Artistic_Re-enactments_and_the_Impossibility_of_Presence
This tense moment of undecidability caught in the space between hospitality and hostility (Caputo 1996) is captured by Amelia Jones' (2011) description of The Artist is Present as a simulated...
https://www.mitpressjournals.org/doi/abs/10.1162/DRAM_a_00046
Feb 16, 2011 · Abstract. Springing off from the recent obsession over performance histories in the performance and art domains, “The Artist is Present” takes on claims for authenticity and “presence” by examining the series of recent re-enactments and events featuring Marina Abramović. © 2011 Amelia Jones. Amelia Jones.
https://pt.scribd.com/document/212955517/55-1-Amelia-Jones-The-Artist-is-Present
Amelia Jones is Professor and Grierson Chair in Visual Culture at McGill University in Montral. She has organized exhibitions on contemporary art and on feminist, queer, …
https://onlinelibrary.wiley.com/doi/10.1111/1467-8365.12529
Sep 28, 2020 · 30 Amelia Jones deconstructs the ontological hierarchy between performance and its record in her well‐known essay, ‘”Presence” in Absentia: Experiencing Performance as Documentation’, Art Journal, Winter 1997. She argues that live access to the performer's body is no less mediated than when accessed via its photographic documentation and that this cultural myth serves to maintain an …
https://www.academia.edu/41037492/Of_Presence_and_Place_Melati_Suryodarmo
1 Amelia Jones, ‘“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence’, in TDR: The Drama Review, Vol. 55, No. 1 (Spring 2011), p. 18 to manifest presence, points to the very fact that the live act itself destroys presence (or makes the impossibility of its being secured evident).
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