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Gil Kane American artist Britannica

    https://www.britannica.com/biography/Gil-Kane
    Jan 27, 2021 · Alternative Title: Eli Katz. Gil Kane , pseudonym of Eli Katz, (born April 6, 1926, Riga, Latvia—died Jan. 31, 2000, Miami, Fla., U.S.), Latvian-born American comic book artist whose innovative and dramatic style and precise drawing technique brought new life and vibrancy to such classic superheroes as Spider-Man, Green Lantern, Captain Marvel, the Incredible Hulk, and the Atom—in …

Roy Lichtenstein: American Pop Artist, Comic-Strip Painter

    http://www.visual-arts-cork.com/famous-artists/roy-lichtenstein.htm
    The American painter, sculptor and printmaker Roy Fox Lichtenstein, along with Andy Warhol, was one of the leading figures in the Pop-art movement during the 1960s. He is best known for his instantly recognizable comic-strip style of painting, as exemplified by works like " Whaam !" (1963, Tate Gallery, London) and " Drowning Girl " (1963, Museum of Modern Art, New York).

Comic Book Art - From a Cultural Phenomenon to Collectable ...

    https://www.widewalls.ch/magazine/comic-book-art
    Nov 13, 2018 · In the American superhero comic books, the creative process includes a penciller, who creates initial sketches, an inker, who finishes the artwork in ink, a colorist and finally a letterer, who adds the captions and speech balloons [6]. Mutt and Jeff, a daily comic strip, 1913. Image via Wikipedia.

A Brief Guide to Comic Book Art Styles Book Riot

    https://bookriot.com/comic-book-art-styles/
    Aug 06, 2020 · Titled the Ageless Age by some sources, starting after 1993 and up until today, we see a diverse set of comic book art styles that don’t necessarily follow a specific set of inspiration. Comics range from the classic superheroes to sci-fi fantasy like Saga , dark black and white horror like The Walking Dead , and the cartoon-esque Scott Pilgrim .

Roy Lichtenstein MoMA - The Museum of Modern Art

    https://www.moma.org/artists/3542
    American, 1923–1997. A key figure in the Pop art movement and beyond, Roy Lichtenstein grounded his profoundly inventive career in imitation—beginning by borrowing images from comic books and advertisements in the early 1960s, and eventually encompassing those of everyday objects, artistic styles, and art history itself. Referring to Lichtenstein’s equalizing treatment of the subjects he ...

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