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Pliny the Elder and the Identity of Roman Art

    https://www.jstor.org/stable/25608810
    "Pliny the Elder and Man's Unnatural History," Greece & Rome 37 (1990):80-96. The main commentaries on Pliny's "art historical" chapters are: The Elder Pliny's Chapters on the History of Art, ed. Eugenie Sellers (London and New York: Macmillan & Co., 1896); Plinio 11 Vecchio. Storia delle arti figurative, ed. Silvio Ferri (Roma: Palombi,

Masters of Ancient Greek Art: Phidias, Polykleitos, and ...

    https://worldhistory.us/ancient-history/ancient-greece/masters-of-ancient-greek-art-phidias-polykleitos-and-myron.php
    Mar 16, 2018 · Phidias, Polykleitos, and Myron are three of the most famous names in ancient Greek art. Their reputation lives on in copies of classical sculptures. Little is known about those who created ancient Greek art, as most were considered mere craftsmen.Author: Robert Mcroberts

Apelles - 8 artworks - WikiArt.org - Visual Art Encyclopedia

    https://www.wikiart.org/en/apelles
    Apelles was an ancient Greek painter whose skills were described by the elder Pliny in his Natural History (77–79 AD). He is said to have been court artist to Alexander the Great. According to Pliny, Alexander asked Apelles to portray his favourite concubine Campaspe. The artist fell in love with his subject while painting her.Birth place: Menderes, Turkey

On Pliny the Elder and the Monstrous (Natural) History of ...

    https://blogs.stockton.edu/artofideology/2020/01/22/on-pliny-the-elder-and-the-monstrous-natural-history-of-the-plinian-races/
    Jan 22, 2020 · This seems to be noteworthy as a window into the culture of ancient Greece and Rome because they know of making new ideas about monsters. 2.One monster outlined by Pliny the Elder in his Natural History is Chapter 13 called Dragons, which is close to the number seven theses called the Monster Stands at the Threshold.

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