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https://smarthistory.org/sofonisba-anguissola/
Sofonisba Anguissola, Self-Portrait, c. 1556, varnished watercolor on parchment, 8.3 x 6.4 cm (Museum of Fine Arts, Boston). The medallion is inscribed in Latin: “The maiden Sofonisba Anguissola, depicted by her own hand, from a mirror, at Cremona.”. The 16th-century painter and author of Lives of the Artist s, Giorgio Vasari, praised the work of Sofonisba Anguissola.
https://www.theartstory.org/artist/anguissola-sofonisba/
When Sofonisba Anguissola was 92, a young Anthony van Dyck painted her portrait and praised her mental aptitude - her renowned sharpness of mind had not depleted despite her advancing years. As the Dutch painter sketched her, they talked about art and the principles of painting and he later said this conversation taught him more about painting than any other episode in his life.Nationality: Italian
https://www.theartstory.org/artist/anguissola-sofonisba/artworks/
In this large state portrait, Anguissola has captured the likeness of the newly-married Elisabeth of Valois, Queen of Spain. Dressed in swaths of black cloth, which was the most expensive color due to the complex dying process, and decked in pearls and rubies from neck to the hem of the dress, Elisabeth shows herself to be a wealthy Renaissance queen.
https://www.khanacademy.org/humanities/renaissance-reformation/high-ren-florence-rome/pontormo/a/sofonisba-anguissola
Bronzino, Portrait of Eleonora of Toledo with her son Giovanni. Bronzino and the Mannerist Portrait. Sofonisba Anguissola. This is the currently selected item. Sofonisba Anguissola, Infanta Catalina Micaela with a Marmoset. Benvenuto Cellini, Salt Cellar. Cellini, Perseus. Giambologna, Abduction of a Sabine Woman. Practice: Mannerism. Next ...
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