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https://www.anselmreyle.com/
Anselm Reyle's Website. Exploring unconventional materials such as Mylar foil, Anselm Reyle expands upon the prevailing aesthetics of painting and sculpture.
https://www.artsy.net/artist/anselm-reyle
The work of Anselm Reyle is intimately linked to Modernism, borrowing, critiquing, and reinventing its conventions all at once. Reyle’s abstract sculptures and paintings are made with fluorescent colors, found objects, and shiny common materials including foil, glitter, and mirrors.Nationality: German
http://www.artnet.com/artists/anselm-reyle/
Anselm Reyleis a contemporary German artist. Known for his work with found objects and the medium of the painting, he examines the notion of taste in contemporary art, remarking that “someone once said that my art always looks a bit like a film set, as if someone’s saying we need a bit of Modern Art in the background now.Nationality: German
https://www.anselmreyle.com/biography/
The Artist’s Dining Room: Manfred Kuttner, Anselm Reyle, Thomas Scheibitz, Level 2 Gallery, Tate Modern, London, UK Die Macht des Dinglichen – SKULPTUR HEUTE ! , Georg-Kolbe-Museum, Berlin, DE* Unmonumental: The Object in the 21st Century ,The New Museum, New York, USA *
https://www.artspace.com/artist/anselm_reyle
Provocative and playful, Anselm Reyle is known for his inventive recontextualization of artistic tropes and found objects. Born in Germany in 1970, Reyle briefly toyed with music and landscape design early in his career before settling on painting and sculpture.
https://www.anselmreyle.com/exhibition-views/
The Art of Anselm Reyle Gavin Brown‘s enterprise, New York, 2004. At the Edge of Forever ROMAROMAROMA, Rome, 2002. Beyond Galerie Giti Nourbakhsch, Berlin, 2002. This site uses cookies to give you the very best experience. By continuing to browse the site you are agreeing to …
https://www.christies.com/en/lot/lot-5495739
Berlin-based Anselm Reyle is unabashedly steeped in the formalist traditions of Modernism. Brazenly bucking the figurative impulse of his countrymen, Reyle mines such Modernist tropes as the gestural brushstroke, the monochrome, and the objet trouvé.
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