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http://www.ellipsis.cx/~kortbein/4501/danto.html
Danto presents an example in which the 'is' of artistic identification is relied heavily upon in the viewing of two identical paintings (each a white rectangle with a black line through the center). His comments indicate how use of the 'is' of artistic identification is guided by (backed by, supported by, constrained by) theory, understood in the loosest sense possible.
https://www.academia.edu/6842491/Arthur_Danto_The_Artworld
Danto presents an example in which the 'is' of artistic identification is relied heavily upon in the viewing of two identical paintings (each a white rectangle with a black line through the center). His comments indicate how use of the 'is' of artistic identification is guided by …
https://www.thegadflymagazine.org/home-1/danto-on-indiscernibility
Jul 09, 2017 · Granting this, we have grounding for Danto’s “is of artistic identification,” which is not exhaustively defined by Danto, but can be understood as something between literal and representative identity of subject and predicate. Consequently, artworks can be neither reduced to the predicates used to describe them literally nor taken as mere bearers of them on the representative interpretation.
http://faculty.fiu.edu/~harrisk/Notes/Aesthetics/Art%20World/Institutional%20Theories%20of%20Art-%20Artworld.htm
• Danto calls the “is” in these examples “the ‘is’ of artistic identification”. • We can’t help the poor naïve guy Testadura understand why this is art until he “gets” it about this “is”. Danto shows how this can make a very big difference in the way one related to paintings.
https://www.artnews.com/art-in-america/features/the-artness-of-art-arthur-dantos-what-art-is-59477/
Aug 27, 2013 · Don’t call Arthur Danto an aesthetician, even if that word is preceded by the specification “America’s foremost.” As Danto explains in his latest book, What Art Is (Yale University Press ...
http://www.uh.edu/~cfreelan/courses/1361/Danto.htm
Arthur Danto, “The Artworld”, ABQ Chapter 3, pp. 33-44. Preface: Danto attacks Socrates and Plato’s view of art as imitation (mimesis0 or a mirror. He calls this the “Imitation Theory” or “IT”. If this were correct, then any mirror image would also be an artwork, which is obviously false. It’s true that many artists both at that time and later did try to imitate nature in their art.
https://www.cambridgescholars.com/resources/pdfs/978-1-5275-3629-6-sample.pdf
The Impossible Notion: Arthur Danto and the End of Art xi Indeed, things become a little bit more complicated when it comes too understanding the idea of the end of art in the light of the Dantian system. This is a hermeneutic task that the Dantian interpreters have to pursue, also because Danto himself suggested this way to interpret his thought.
https://www.bartleby.com/essay/Summary-Of-The-Artworld-By-Arthur-Danto-PKKTWJ99JFLLX
Mariah Theis Phil-202 Professor C. Williams 4 Dec. 2013 Nature of Art Philosopher Arthur Danto, author of “The Artworld,” an artistic criticism, states that “to see something as art requires something that the eye cannot descry—an atmosphere of artistic theory, a knowledge of the history of art: an artworld” (201). Artistic theory, according to Danto, requires the presence of a subject, style, rhetorical ellipses, and …
https://quizlet.com/8670034/philosophy-of-art-final-flash-cards/
Arthur Danto (1924 - Present) 1. Why does Danto believe that imitation will not do as an explanation of art. This implies mirror images are art, which is ridiculous. 2. What is the imitation theory of art (IT) ... Notice here how one artistic identification engenders another artistic identification, and how, consistently with a given ...
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