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https://www.amazon.com/Renaissance-Self-Portraiture-Visual-Construction-Identity/dp/0300075960
Renaissance Self-Portraiture: The Visual Construction of Identity and the Social Status of the Artist Hardcover – November 10, 1998 by Joanna Woods-Marsden (Author)Cited by: 22
https://books.google.com/books/about/Renaissance_Self_portraiture.html?id=VOwuXvfggiMC
Renaissance Self-portraiture: The Visual Construction of Identity and the Social Status of the Artist: Author: Joanna Woods-Marsden: Edition: unabridged: Publisher: Yale University Press, 1998:...
https://www.goodreads.com/book/show/3441790-renaissance-self-portraiture
Renaissance Self-Portraiture: The Visual Construction of Identity and the Social Status of the Artist. The autonomous self-portrait, a central mode of expression in western art…4.7/5(3)
https://www.alibris.com/Renaissance-Self-Portraiture-The-Visual-Construction-of-Identity-and-the-Social-Status-of-the-Artist-Joanna-Woods-Marsden/book/29209225
Buy Renaissance Self-Portraiture: The Visual Construction of Identity and the Social Status of the Artist by Joanna Woods-Marsden online at Alibris. We have new and used copies available, in 1 editions - starting at $72.00. Shop now.
https://www.ebay.com/p/1068302
Renaissance Self-Portraiture : The Visual Construction of Identity and the Social Status of the Artist by Joanna Woods-Marsden (1998, Hardcover)
http://www.caareviews.org/reviews/89
Jan 01, 2000 · To be sure, the overall antique style of the Bregno tomb (including the imago clipeata image of the sculptor) differs from the stark realism of the probable self-depictions by Guido Mazzoni and Niccolò dell’Arca in their polychromed terracotta Lamentation groups (also not mentioned by Woods-Marsden), but the pairing of ennobling style and iconography with objects of labor indicates a somewhat more complex history of the artist’s evolving social status …
https://yalebooks.yale.edu/book/9780300075960/renaissance-self-portraiture
At the beginning of the fifteenth century, an individual’s social status depended upon his occupation’s proximity to—or distance from—manual labor. The visual arts, unlike literature or music, were defined as manual, and their creators were considered craftsmen.
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