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https://multiculturalkidblogs.com/2016/03/01/women-artists/
Mar 01, 2016 · Suzanne Valadon was a French painter who started life as a Marie-Clémentine in 1865. She was renamed Suzanne by the famous artist Henri de Toulouse-Lautrec, whom she modeled for regularly. She also posed for Pierre-Auguste Renoir …
https://www.artsy.net/article/artsy-editorial-six-women-artists-furthering-cindy-shermans-pioneering-vision
Jun 25, 2019 · Ilona Szwarc, Sometimes one meets a woman who is beast turning human, 2019. Courtesy of the artist. Ilona Szwarc, The woman who presents herself to the spectator as a “picture” forever arranged, #1, 2019. Courtesy of the artist.
https://nmwa.org/whats-on/signature-programs/women-arts-social-change/
Women, Arts, and Social Change is a dynamic public programs initiative that highlights the power of women and the arts as catalysts for change. FRESH TALK Fresh Talk, the initiative’s signature program, features cause-driven conversations with artists, designers, activists, social innovators, and others.
https://multiculturalkidblogs.com/2016/03/25/5-women-artists-color/
Mar 25, 2016 · Augusta Savage (1882-1962), a leading member of the Harlem Renaissance, was an African-American sculptor, arts educator, and activist. She created beautiful, expressive portrait sculptures and artwork that celebrated the black community. Savage created one of her most inspiring artworks, The Harp, for the 1939 World’s Fair in New York.
https://en.wikipedia.org/wiki/Hannah_H%C3%B6ch
Hannah Höch (German: [hœç]; 1 November 1889 – 31 May 1978) was a German Dada artist. She is best known for her work of the Weimar period, when she was one of the originators of photomontage.Born: Anna Therese Johanne Höch, 1 November …
https://womenshistorymonth.wordpress.com/resources/women-and-series/women-and-art/where-are-women-in-the-history-of-art/
Pollock’s classic example in her book Vision and Difference, is the way that the historical woman Elizabeth Siddall has been obscured by the mythic Pre-Raphaelite muse ‘Lizzie Siddal’ in art history. Muse and object is the ‘proper place’ of women in art, and it is not only art history which says so.
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