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When an artist deliberately avoids emphasis, we say that the work is? afocal. Leonardo da Vinci’s The Vitruvian Man embodies all of these dualistic relationships except? the temporary and the eternal. In her painting, Still Life with Lobster, Anna Vallayer-Coster establishes emphasis through? …Estimated Reading Time: 2 mins
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When an artist deliberately avoids emphasis, we say that the work is. afocal. 7.
https://quizlet.com/209769363/art-101-midterm-2-review-flash-cards/
An example of afocal art where no single focal point demands attention any more than another and where there is no one place for the eye to rest. Philip IV, King of Spain Diego Velazquez, 1652-53.
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When an artist deliberately avoids emphasis, we say that the work is. a. radially balanced. b. afocal. c. postmodern. d. multi-lateral. b. afocal. Leonardo da Vinci’s The Vitruvian Man embodies all of these dualistic relationships except. a. the earthly and heavenly worlds. b. mind and matter. c. the material and the transcendental.
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When an artist deliberately avoids emphasis, we say that it is: afocal. There are two basic processes to seeing. The first is _____, the second is psychological. physiological. The less a work of art resembles things in the real world, the more _____ it is said to be. nonobjective.
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When an artist deliberately avoids emphasis, we say that the work is a. radially balanced. b. afocal. c. postmodern. d. multi-lateral.
http://www.cowley.st-helens.sch.uk/wp-content/uploads/2017/02/WRITING-ABOUT-ARTISTS-2-copy.pdf
unity, while some artists deliberately avoid formal unity to create feelings of tension and anxiety. Abstraction is to deliberately remove or not include representation from/in your image. Once students have an understanding of formal analysis, they will be well prepared to put this theory into practice by making their own
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