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https://www.last.fm/tag/1900s/artists
Arthur Collins, the leading Minstrel-style dialect-comedy singer of the early 1900s, was born on February 7, 1864 in Philadelphia.
https://www.nga.gov/features/slideshows/american-realists-of-the-early-1900s.html
American Realists of the Early 1900s Overview With forty percent of the United States' population living in urban environments by 1900, the city began to replace the countryside as an intriguing subject for American writers and painters.
https://www.nga.gov/features/slideshows/american-impressionists-of-the-late-1800s-and-early-1900s.html
American Impressionists of the Late 1800s and Early 1900s. Overview Since the development of the oil technique during the early 1400s, the equipment and chemicals necessary for painting were simply too cumbersome to remove them easily from artists' studios. By the late 1700s, some painters did venture outdoors to sketch in oils, but their ...
https://www.1stdibs.com/art/drawings-watercolor-paintings/period/early-1900s/
Landscape is an original drawing in pencil on paper, realized in 1905 by Louis-Charles Willaume. With the stamp of the artist on the lower right and a drawing of trees on the rear. ... Category. Early 1900s Drawings and Watercolor Paintings.
https://www.1stdibs.com/art/paintings/landscape-paintings/period/early-1900s/
A fine oil on canvas by noted Scottish artist David Fulton RWS which dates to circa 1900. It is a super evocative Impressionist pastoral scene which depicts a shepherd and his floc... Category
https://montmartrefootsteps.com/pere-azon/
Struggling artists short of cash were not shown the door but given credit; when their credit reached its limit, instead of telling them not to come back he then accepted payment in paintings. The Relais de la Butte Restaurant. In the early 1900s it was known as Chez Père Azon – …
http://arthistoryteachingresources.org/lessons/modern-art-1900-50/
Cubism: a semi-abstract movement in early twentieth-century (mostly) French art—exemplified here in the work of Pablo Picasso—that continued the formal project begun with Paul Cézanne’s analysis of form, often geometricizing figures and collapsing traditional naturalistic notions of depth and perspective.
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