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Foster, "The Artist as Ethnographer" annotation by Brandon ...

    http://csmt.uchicago.edu/annotations/fosterartist.htm
    Foster, "The Artist as Ethnographer" annotation by Brandon Hopkins. Brandon Hopkins. [email protected]. University of Chicago. In The Return of the Real, Hal Foster investigates the goals and practices neo-avant-garde art movements and their relation to modernist movements such as dada, surrealism, and constructivism. Chapter 6 of his book, “The Artist as Ethnographer,” deals …

The Artist as Ethnographer? - Monoskop

    https://monoskop.org/images/8/87/Foster_Hal_1995_The_Artist_as_Ethnographer.pdf
    Today there is a related paradigm in advanced art on the left: the artist as ethnographer. The object of contestation remains, at least in part, the bourgeois institution of autonomous art, its exclusionary definitions of art, audience, iden­ tity. But the subject of association has changed: it …

T h e A rtis t as Ethnographer? - Corner College

    http://www.corner-college.com/udb/cpro2ZgGKfArtist_As_Ethnographer.pdf
    ethnographer. T h e object of contestation remains, at least in part, the bourgeois institution of autonomous art, its exclusionary definitions of art, audience, iden- tity. But the subject of association has changed: it is now the cu ltu ral an d /o r eth- nic other i n w hose n a m e the artist often stru ggles. A nd yet, despite this sh ift ...

The Artist as Ethnographer? - WordPress.com

    https://pdflibrary.files.wordpress.com/2008/02/artistethnographer.pdf
    304 HAL FOSTER THE ARTIST AS ETHNOGRAPHER? 305 medm absorb everything in pure malevolence (indeed we know they cannot). Rather my concern is with the shhral &ch of the realist assumption in political, here quasi-anthropologicd, art, in particular with its siting of political truth in a projected alrerity.

CiteSeerX — The Artist as Ethnographer?

    http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.617.6445
    CiteSeerX - Document Details (Isaac Councill, Lee Giles, Pradeep Teregowda): culture, Benjamin (1978) called on the artist on the left "to side with the prole-tariat." ' In vanguard Paris in April 1934 this call was not radical; the approach, however, was. For Benjamin urged the "advanced " artist to intervene, like the rev-olutionary worker, in the means of artistic production-to change the ...

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