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Giorgione - 49 artworks - painting - Visual Art Encyclopedia

    https://www.wikiart.org/en/giorgione
    Giorgione is known for the elusive poetic quality of his work, though only about six surviving paintings are affirmatively acknowledged to be his. The uncertainty surrounding the identity and meaning of his work has made Giorgione one of the most mysterious figures in European art.Birth place: Castelfranco Veneto, Italy

Giorgione Italian painter Britannica

    https://www.britannica.com/biography/Giorgione
    Giorgione, also called Giorgio da Castelfranco, (born c. 1477/78, Castelfranco Veneto, Republic of Venice [Italy]—died before November 7, 1510, Venice), extremely influential Italian painter who was one of the initiators of a High Renaissance style in Venetian art.

Giorgione (active 1506; died 1510) National Gallery, London

    https://www.nationalgallery.org.uk/artists/giorgione
    Giorgione means 'big George'. He worked on a painting, since destroyed, for the Doge's Palace in Venice and, in 1508, on frescoes for the exterior of the Fondaco dei Tedeschi (the German merchants' warehouse) in Venice (fragments in the Ca' d'Oro, Venice).

Why Are Giorgione’s Paintings So Mysterious, Even ...

    https://hyperallergic.com/624255/giorgiones-ambiguity-tom-nichols/
    Mar 01, 2021 · Giorgione was from the small town of Castelfranco. Details about his past are few, though Nichols’s research suggests that the artist spent time in prison as a teenage delinquent. Giorgione arrived...

The Tempest, Giorgione: Analysis, Meaning

    http://www.visual-arts-cork.com/famous-paintings/tempest-giorgione.htm
    Unlike many other High Renaissance artists of the Venetian School, who favoured a more sensualist and less intellectual approach to art, Giorgione tended to imbue his works with a range of hidden meanings, more in line with that of Leonardo, Michelangelo and other artists of …

Laura (Giorgione) - Wikipedia

    https://en.wikipedia.org/wiki/Laura_(Giorgione)
    Like Giorgione's other works, it is unsigned, but it is one of the less controversial attributions to Giorgione. An inscription on the reverse, accepted as early 16th-century, identifies Giorgione as the painter and provides the date, making this the only work by the artist bearing a reliable date.

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