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Key Artists of Renaissance Florence

    https://www.classicalpursuits.com/key-artists-of-renaissance-florence/
    Mar 23, 2020 · Key works: Santa Maria Novella, Florence (1448–70) upper facade. Palazzo Rucellai (1446–51) Florence. Basilica of Sant’Andrea, Mantua (begun in 1471) Donatello (1386–1466), born Donato di Niccolò di Betto Bardi, was the father of Renaissance sculpture. He introduced a new naturalism, perspectival illusion, and anatomy.Author: Melanie Blake

Florence: The Center of Early Italian Renaissance Art

    https://www.thoughtco.com/florance-as-center-of-renaissance-art-182381
    Apr 11, 2019 · Florence, or Firenze as it's known to those who live there, was the cultural epicenter for Early Italian Renaissance art, launching the careers of many prominent artists in 15th-century Italy. In a previous article on the Proto-Renaissance, several Republics and Duchies in northern Italy were also mentioned as artist-friendly.Estimated Reading Time: 7 mins

The Early Renaissance in Florence - National Gallery of Art

    https://www.nga.gov/features/slideshows/the-early-renaissance-in-florence.html
    In Italy, especially, the Renaissance was spurred by a revival of Greek and Roman learning. Works by classical authors, lost to the West for centuries, were rediscovered, and with them a new, humanistic outlook that placed man and human achievement at the center of …

The Greatest Artists Of The Renaissance Period - WorldAtlas

    https://www.worldatlas.com/articles/the-greatest-artists-of-the-renaissance-period.html
    Jul 28, 2016 · Leonardo da Vinci One of, if not the, most famous artists from the Renaissance period is, without a doubt, Leonardo da Vinci. Born on April 15, 1452 in Vinci of Florence, Leonardo became a famous painter and less-famous inventor. In 1466, he became an artist’s apprentice and 4 years later, he qualified as a master.Author: Amber Pariona

Renaissance Art in Florence - Art Encyclopedia

    http://www.visual-arts-cork.com/history-of-art/renaissance-in-florence.htm
    Masaccio was essentially the father of Early Renaissance painting and the first artist to unite Giotto's principles of composition with the possibilities offered by perspective, a combination particularly clear in the predella panels at the base of the altar pictures.

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