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https://en.wikipedia.org/wiki/Claire_Bishop
Claire Bishop is a British art historian, critic, and Professor of Art History at The Graduate Center, CUNY, New York where she has taught since September 2008. Bishop is known as one of the central theorists of participation in visual art and performance. Her 2004 essay titled “Antagonism and Relational Aesthetics,” which was published in October, remains an influential critique of ...Education: Cambridge University, Essex University
https://www.ebooks.com/en-us/book/1246290/artificial-hells/claire-bishop/
Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group.
https://www.questia.com/magazine/1G1-314652455/artist-placement-group
The Artist Placement Group (APG) was founded in London in 1966 by John Latham and Barbara Steveni. ... However, Brisley's task was a difficult one because, as Claire Bishop has recently argued, APG's placements too frequently cast the artists less as the "incidental persons" intervening productively at the specific site than as middle managers ...
https://www.marisajahn.com/byp
Claire Bishop, Peter Eleey, and Stephen Wright examine Artist Placement Group, whose work in the 1970s involved placing dozens of artists in corporations and the government. Curator Joseph del Pesco examines A Constructed World 's collaboration with 120 employees of a bank.
https://www.dailymotion.com/video/x7zczr2
Feb 17, 2021 · Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts …Released on: February 16, 2021
https://www.academia.edu/11968497/APG_THE_INDIVIDUAL_AND_THE_ORGANISATION_A_DECADE_OF_CONCEPTUAL_ENGINEERING
Anthony Tucker, “Artist Placement Group”, (The Guardian), 1 May, 1974. [A more recent and thoughtful account of APG entitled “Rate of Return” was written by Claire Bishop and …
https://www.amazon.com/Artificial-Hells-Participatory-Politics-Spectatorship-ebook/dp/B007HX8LHW
Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group.Reviews: 30
https://sabrinasoyer.wordpress.com/hostgost/
Artist Placement Group Manifesto. claire bishop Digital_Divide. 1999-Architect_and_the_Housewife. diedrich oeidipus and narcissus. DIEDRICHSON-on_surplus_value_in_art. If things are not quickly to go pear-shaped Verwoert. Il serait temps que la réalité commence Farocki. jerry-rubin-do-it-scenarios-of-revolution. howard-s-becker-art-worlds
https://www.artforum.com/print/reviews/201803/ilya-and-emilia-kabakov-74313
From 1970 on, Kabakov’s paintings start to peddle fictional characters. The Answers of an Experimental Group, 1970–71, comprises a large grid filled with painstakingly neat Cyrillic text detailing the observations of a group of spectators from a cross-section of Soviet society, many of whom sound like avant-garde artists–cum–terrible bores.
https://www.artforum.com/news/barbara-steveni-1928-2020-82270
“With the benefit of hindsight, it’s evident that APG’s activities go straight to the core of contemporary debates about the functionality of art and the desirability of art’s having social goals,” wrote Claire Bishop in the October 2010 issue of Artforum. “Perhaps most significant, in the end, is APG’s effort to redirect the value of art away from demonstrable indexes and financial outcomes, and its …
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