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http://www.stephenhicks.org/2012/01/21/plato-on-censoring-artists-a-summary/
Jan 21, 2012 · In The Republic, Plato makes a systematic case for censoring all arts. The task of the Platonic philosopher is to take up the “ancient quarrel between philosophy and poetry” [607b] and to assert the State-enforced dominance of philosophy. To that end, The Republic as a whole is a powerful integration of philosophy, religion, education, and politics, and its argument for the political suppression of most art …
http://users.rowan.edu/~clowney/aesthetics/philos_artists_onart/plato.htm
In the Republic, Plato says that art imitates the objects and events of ordinary life. In other words, a work of art is a copy of a copy of a Form. It is even more of an illusion than is ordinary experience. On this theory, works of art are at best entertainment, and at worst a dangerous delusion.
https://www.college.columbia.edu/core/lectures/fall1999
One of those reasons, which is also a main reason the Republic has disturbed so many people over the centuries, is supposed to be the fact that the ideal city will contain no art. Plato, on this picture, believes that art perverts and corrupts: being simply "imitation", it makes us attached to the wrong things - things of this world rather than eternal Forms - and depicts vile and immoral behavior on the part of the gods …
https://www.thecollector.com/plato-philosophy-ion-art/
Jan 31, 2021 · This idea is not unfounded. It stems from Plato’s Republic, where the Greek philosopher argued that poets would not be admitted in his idea society. Plato seemed to believe that art’s mimesis of reality can only corrupt men and weaken their capacity for rational thought. Thus, in a society where the philosophers will rule and the rulers philosophize, art would have no place.
https://plato.stanford.edu/entries/plato-aesthetics/
Jun 27, 2008 · The quasi-divine status that beauty has in the Symposium; the Republic’s characterization of the imitator as enemy to Athena and other gods; and of course inspiration, which cannot be defined without appeal to divine action: All three subjects suggest that Plato’s aesthetics might come together more satisfactorily within Plato’s theology. The question is worth pursuing now, for …
https://decodedpast.com/platos-argument-art-is-an-imitation-of-an-imitation/
Sep 20, 2013 · Plato (427-347 BC) has had an enormous influence on Western philosophy. His teacher was Socrates, who was condemned to death for his so-called “subversive influence” on the youth of Athens. Socrates appears in many of Plato’s dialogues. In his great work, The Republic, Plato describes his idea of the ideal state, which would be organised into the Guardians, ie. the governing class, and …Author: Janet Cameron
http://www.gutenberg.org/files/1497/1497-h/1497-h.htm
Aug 27, 2008 · The Republic of Plato, like the Athens of Pericles, has an artistic as well as a political side. There is hardly any mention in Plato of the creative arts; only in two or three passages does he even allude to them (Rep.; Soph.).
https://utopiafiction.com/platos-imitation-theory/
Plato’s imitation theory is an important part of his debate in the Republic. As I have written in my previous post, Plato asserted that making art is the equivalent of imitating. He did not like artists and their “art” making activities too much. The following are the most important excerpts from the Republic, where Plato mentions imitation.
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