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https://www.nationalgallery.org.uk/artists/jean-baptiste-camille-corot
This is the first in a series of four panels illustrating the different times of day that Corot painted for his friend, fellow artist Alexandre-Gabriel Decamps. Two tall trees with full foliage on the left of the panel are offset by two smaller trees on the right. Corot’s use of trees on either s...
https://www.metmuseum.org/art/collection/search/435977
Camille Corot French. This small panel, probably done in the 1860s, was evidently well known and admired in Corot's circle of friends. Both Constant Dutilleux (1807–1865) and Charles Desavary (1837–1885), two painters living in Arras, a town in northern France that Corot often visited, copied the painting. About 1873 Corot gave it to his patron Cléophas, who had provided him with a …
https://www.wikiart.org/en/camille-corot
A pivotal figure in landscape painting, Jean-Baptiste Camille Corot was an influential and prolific artist, producing over 3,000 works during his lifetime, and inspiring countless numbers of forgeries and copies. Although he was not especially interested or gifted in art at a young age, he decided to make the professional switch from ...Birth place: Paris, France
https://www.invaluable.com/artist/corot-jean-baptiste-camille-4eqpaf0aaa/sold-at-auction-prices/
Copied by Demur, a student and studio assistant of Corot. The catalogue clearly states the painting was finished by Corot's hand. As you might know this was …
https://en.wikipedia.org/wiki/Jean-Baptiste-Camille_Corot
After Michallon's early death in 1822, Corot studied with Michallon's teacher, Jean-Victor Bertin, among the best known Neoclassic landscape painters in France, who had Corot draw copies of lithographs of botanical subjects to learn precise organic forms.Born: Jean-Baptiste-Camille Corot, July 16, 1796, …
https://www.artic.edu/artists/34035/jean-baptiste-camille-corot
Jean Baptiste Camille Corot; Souvenir of Tuscany, c. 1845 Jean Baptiste Camille Corot; Landscape, 1865/70 Jean Baptiste Camille Corot; Wounded Eurydice, 1868/70 Jean Baptiste Camille Corot; Arleux-Palluel, The Bridge of Trysts, 1871/72 Jean Baptiste Camille Corot; Bathing Nymphs and Child, 1855/60 Jean Baptiste Camille Corot
https://www.britannica.com/biography/Camille-Corot
Feb 18, 2021 · As landscape was his major interest, Corot used figures in his work in an incidental manner, much as they were used in the work of the 17th-century painter Claude Lorrain. In the 1860s Corot invented a new kind of landscape, the Souvenirs , in which he made compositions out of standardized elements—usually a lake with diaphanous trees painted in an overall silvery tonality—to …
https://www.theartstory.org/artist/corot-jean-baptiste-camille/artworks/
Some art historians have linked the blurriness of these works to Corot's late interest in landscape photography, which, given the available technology at the time, rarely achieved a crisp image. Made at the height of the painter's popularity, Souvenir of Mortefontaine was shown to great acclaim at the Salon of 1864, and was one of Corot's first works to be acquired directly from the artist by the French state.
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