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https://www.britannica.com/art/linear-perspective
Linear perspective is thought to have been devised about 1415 by Italian Renaissance architect Filippo Brunelleschi and later documented by architect and writer Leon Battista Alberti in 1435 (Della Pittura).
http://headforart.com/2016/07/01/linear-perspective/
Jul 01, 2016 · It is believed that it was the Florentine architect Filippo Brunelleschi who experimented with and formalised the system of linear perspective in around 1420. As we’ve seen, linear perspective uses real or suggested lines (often called orthogonals) converging on the horizon line or at eye level.
http://www.classicalart.org/blog/a-brief-history-of-perspective
Apr 13, 2013 · In 1435 Leon Battista Alberti discovered the first theory of linear perspective and published his treatise Della Pictura (On Painting) in which he too relied on mathematics as the common ground of art and science. Alberti’s discovery had an enormous impact on European artists and is still used by artists, designers and architects today.
http://www.renegadetribune.com/filippo-brunelleschi-rediscovery-perspective/
Oct 17, 2017 · It was a monumental discovery, and soon artists were using Brunelleschi’s method of perspective to astonishing effects in their paintings. Brunelleschi’s original perspective studies are long gone, but he directly influenced many others. The first known painting to show true linear perspective is Masaccio’s “The Holy Trinity”. In the ...
https://useum.org/Renaissance/Perspective
Although before Renaissance artists such as Giotto tried to use perspective in their paintings, it was only with the Italian architect Filippo Brunelleschi, who demonstrated its principles, and the writings of Leon Battista Alberti, who wrote about the perspective and presented a perspective construction in his De Pictura in 1435, when perspective was formalized as an artistic technique.
https://www.khanacademy.org/humanities/renaissance-reformation/early-renaissance1/beginners-renaissance-florence/a/early-applications-of-linear-perspective
It was not long before a decisive step was taken by Leon Battista Alberti, who published a treatise on perspective, Della Pitture (or On Painting), in 1435. Once Alberti's treatise was published, knowledge of perspective no longer had to be passed on by word of mouth. For some it became a matter of consuming artistic, even philosophical interest.
https://www.britannica.com/art/perspective-art
Linear perspective study for the Adoration of the Magi, silverpoint, pen, and bistre heightened with white on prepared ground by Leonardo da Vinci, c. 1481; in …
https://www.radford.edu/rbarris/art216upd2012/15th%20century%20Italian%20arts%20S11.html
This comparison allows us to see the difference between an artist who did not use linear perspective and one who did. In one painting, the figures appear crowded with little differentiation in size, and therefore little sense of how far apart they may be. In the second, the figures are convincingly made smaller as they recede in the distance.
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