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How Aubrey Beardsley’s Visionary Illustrations for Oscar ...

    https://www.brainpickings.org/2016/01/25/aubrey-beardsley-oscar-wilde-salome/
    Jan 25, 2016 · How Aubrey Beardsley’s Visionary Illustrations for Oscar Wilde’s “Salome” Subverted Victorian Gender Norms and Revolutionized the Graphic Arts “He …Estimated Reading Time: 7 mins

The Climax (illustration) - Wikipedia

    https://en.wikipedia.org/wiki/The_Climax_(illustration)
    Beardsley created his first version of The Climax, J'ai baisé ta bouche Iokanaan, as an illustration for the French version of Oscar Wilde's play, Salome. This illustration and eight others were printed in an article, "A New Illustrator: Aubrey Beardsley", …Estimated Reading Time: 6 mins

Aubrey Beardsley's Illustrations for Oscar Wilde's 'Salome ...

    https://flashbak.com/aubrey-beardsleys-illustrations-for-oscar-wildes-salome-424808/
    Mar 04, 2020 · Aubrey Beardsley’s Illustrations for Oscar Wilde’s ‘Salome’ Aubrey Beardsley's artistic career began with schoolboy doodles in the margins of text books and ended in near poverty drawing erotica for private collectors. Aubrey Beardsley …Estimated Reading Time: 7 mins

Aubrey Vincent Beardsley - The Metropolitan Museum of Art

    https://www.metmuseum.org/art/collection/search/345737
    In 1907 John Lane issued a portfolio of designs that Aubrey Beardsley created in 1894 for the first British edition of "Salomé." Oscar Wilde's play had been written in French in 1891 then translated into English by Lord Alfred Douglas. Several of the images Beardsley submitted were judged to be too erotic to publish, and either altered or omitted.

Aubrey Beardsley Artworks & Famous Art TheArtStory

    https://www.theartstory.org/artist/beardsley-aubrey/artworks/
    Created by Beardsley for Oscar Wilde's Salomé (1894), this illustration shows the protagonist wrapped in a long, flowing garment embroidered with designs reminiscent of peacock feathers. Indeed a peacock hovers at the left while Salomé looms threateningly over the young man so enamoured of her, as though posed to seduce and devour him.

Aubrey Beardsley - Illustration History

    https://www.illustrationhistory.org/artists/aubrey-beardsley
    The “Beardsley Boom” of April 1893 began when Aubrey was featured in the keynote article of The Studio, an art publication in London, titled “A New Illustrator: Aubrey Beardsley.” Within this article was also a drawing from “The Climax” of Oscar Wilde’s Salomé entitled J’ai baisé ta bouche, Iokanaan.

The World Wasn't Ready for Oscar Wilde's Fearless Illustrator

    https://www.messynessychic.com/2019/11/13/the-world-wasnt-ready-for-oscar-wildes-fearless-illustrator/
    Nov 13, 2019 · The works that truly made Beardsley popular were his illustrations for Oscar Wilde’s tragic one-act play, Salomé. It was originally written and published in French in 1893 and then in English with Beardsley’s drawings in 1893.

'Illustration to Salome by Oscar Wilde, 1906–7' Art Print ...

    https://www.art.com/products/p47574173725-sa-i10641704/aubrey-beardsley-illustration-to-salome-by-oscar-wilde-1906-7.htm
    Illustration to Salome by Oscar Wilde, 1906–7 Art Print by Aubrey Beardsley. Find art you love and shop high-quality art prints, photographs, framed artworks and posters at Art…

Illustrating Wilde: An examination of Aubrey Beardsley's ...

    http://www.victorianweb.org/art/illustration/beardsley/primorac.html
    Apr 27, 2009 · The victims of his alleged crime included Flaubert, with his short story of Herodias, Moreau, with his paintings of Salome Dancing before Herod, Tatooed Salome and The Apparition, Huysman, with his novel A Rebours (text), where two of Moreau's paintings are described in chapter Five, and Mallarmé, with his poem "Herodiade," depicting the beheading of John the Baptist.

Salome (play) - Wikipedia

    https://en.wikipedia.org/wiki/Salome_(play)
    Wilde had considered the subject since he had first been introduced to Hérodias, one of Flaubert 's Trois Contes, by Walter Pater, at Oxford in 1877. His interest had been further stimulated by descriptions of Gustave Moreau 's paintings of Salomé in Joris-Karl Huysmans 's À rebours.

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