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European Tapestry Production and Patronage, 1600–1800 ...

    https://www.metmuseum.org/toah/hd/tapb/hd_tapb.htm
    The one center in which tapestry production continued to flourish until the early 1800s was Madrid, where, under the patronage of Charles III and IV, the Santa Bárbara workshop produced a steady stream of genre and courtly designs, of which those by Francisco de Goya (1746–1828) are the most striking.

[Solved] 'Patronage of the Arts and the Enlightenment's ...

    https://www.coursehero.com/tutors-problems/Other-Homework/8566277-Patronage-of-the-Arts-and-the-Enlightenments-Influence-Please-res/
    "Patronage of the Arts and the Enlightenment’s Influence" Please respond to the following, using sources under the Explore heading as the basis of your response: Describe the shift in artistic patronage that developed in the 1600s, and identify key factors that signified the diminishing power of the church. Give one (1) example of an artist and his / her artwork or a ...

PATRONAGE - Ancient Greece and Rome: An Encyclopedia for ...

    https://erenow.net/ancient/ancient-greece-and-rome-an-encyclopedia-for-students-4-volume-set/331.php
    Artistic Patronage. Artistic patronage was common in both Greece and Rome. Because there was no mass audience able to pay for literature or art, patronage was the primary means of support for most artists and writers. Wealthy patrons engaged artists and writers to produce artworks and entertainments for their pleasure and amusement.

Patrons and Artists in Late 15th-Century Florence

    https://www.nga.gov/features/slideshows/patrons-and-artists-in-late-15th-century-florence.html
    And, by the end of the century—for the first time since antiquity—some art was being made simply "for art's sake." Among the greatest patrons in 15th-century Florence were members of the powerful Medici family, who ruled as princes, though the city was, in …

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