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https://www.italian-renaissance-art.com/The-Medici.html
He was involved in gaining commissions for artists such as Sandro Botticelli, Domenico Ghirlandaio, Andrea del Verrocchio, Leonardo da Vinci and Michelangelo Buonarroti. Michelangelo lived with Lorenzo and his family for many years and …
https://courses.lumenlearning.com/suny-hccc-worldhistory/chapter/art-and-patronage/
Lorenzo de’ Medici (1449–1492) was the catalyst for an enormous amount of arts patronage, encouraging his countrymen to commission works from the leading artists of Florence, including Leonardo da Vinci, Sandro Botticelli, and Michelangelo Buonarroti.
https://www.vanderbilthistoricalreview.com/post/art-as-power-the-medici-family-as-magi-in-the-fifteenth-century
May 10, 2017 · This patronage is appraised through the Medicis’ close relationships with their favorite artists, such as Benozzo Gozzoli and Sandro Botticelli, who often lived in the Palazzo de Medici and enjoyed personal relationships with members of the family. As was customary for art of the time, many of the works commissioned by the family featured the biblical trio of the Magi, who were the first people …
https://www.history.com/topics/renaissance/medici-family
Oct 22, 2019 · The Descendants of Cosimo de’ Medici Lorenzo was a poet himself, and supported the work of such Renaissance masters as Botticelli, Leonardo da Vinci and Michelangelo (whom the Medicis commissioned...
http://themedicifamily.com/Lorenzo-de-Medici.html
He also commissioned around 1487 an illustrious team of artists—Botticelli, Perugino, Filippino Lippi and Domenico Ghirlandaio—to decorate his villa of Spedaletto, near Volterra, and ordered two works from Verrocchio, thought to be the Putto with a Fish and the David for his villa at Careggi.
https://www.artsy.net/article/artsy-editorial-italian-renaissance-wealthy-patrons-art-power
Aug 20, 2018 · The Medici also commissioned Michelangelo to construct a private chapel in 1520, in addition to the sculptures and paintings that would decorate it. The artist completed tombs and additional statues, though he abandoned the project in 1534 when he fell out of favor with Alessandro Medici, Duke of Florence, and fled the city for Rome (future generations of artisans completed the work).
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