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https://frankensaurus.com/Jerry_Uelsmann
Jerry Uelsmann is similar to these artists: Mark Strizic, Alvin Langdon Coburn, Lee Friedlander and more. Topic. Jerry Uelsmann. Share. Artists similar to or like Jerry Uelsmann. American photographer and was an early exponent of photomontage in the 20th century in America.
http://www.artnet.com/artists/jerry-uelsmann/
Jerry Uelsmann is an American photographer best known for his innovative work with the photomontage technique. Through his practice, Uelsmann creates allegorical and surreal compositions through painstaking handmade collage. His photographs are made using only analog tools—much like the earlier photographer Oscar Gustave Rejlander, Uelsmann relies on multiple exposures and uses many …Nationality: American
https://www.bandwmag.com/articles/jerry-uelsmann-on-the-fringes-of-understanding
Jerry Uelsmann: On the Fringes of Understanding Words: Richard Pitnick. Few artists have done more to explore the aesthetic, creative and technical boundaries of the photographic medium than Jerry Uelsmann. In this era of facile digital sleight-of-hand, it can be easy to underestimate Uelsmann’s remarkable mastery of craft.
https://www.johnpaulcaponigro.com/photographers/conversations/jerry-uelsmann/
Jerry Uelsmann I wrote a paper years ago called Post-Visualization. At the time, it was controversial. When I think back upon it, it was simply due to the fact that I was the only photographer in an art department situation. All the other media had in process discovery. Photography is the exception.
https://ccp.arizona.edu/artists/jerry-uelsmann
Innovator and experimenter, Jerry N. Uelsmann (born 1934) was captivated by photography at a young age. Born in Detroit, Michigan, Uelsmann became intent on photography as a vocation in high school. He pursued this interest at Rochester Institute of Technology where he worked with Minor White and Ralph Hattersley and received his BFA in 1957.
https://www.the-artists.org/jerry-uelsmann/
jerry uelsmann Jerry Uelsmann began assembling his photographs from multiple negatives decades before digital tools like Photoshop were available. Using as many as seven enlargers to expose a single print, his darkroom skills allowed him to create evocative images that combined the realism of photography and the fluidity of our dreams.
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