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https://www.nga.gov/features/mark-rothko/mark-rothko-classic-paintings.html
Mark Rothko, No. 2 (No. 7 and No. 20), 1951 (alternatively dated to 1950), Collection of Mrs. Paul Mellon, Upperville, Virginia. Now applied in thin washes (often composed of both oil- and egg-based media), Rothko's color achieved a new luminosity. The artist's technique appears simple, but on close examination is richly varied in its range of effects.
https://www.mark-rothko.org/
Mark Rothko (1903-1970) belongs to the generation of American artists who completely revolutionized the essence and design of abstract painting. His stylistic evolution, from a figurative visual repertoire to an abstract style rooted in the active relationship of the observer to the painting, embodied the radical vision of a renaissance in painting.
https://www.moma.org/artists/5047
Rothko first developed this compositional strategy in 1947. Described as “Color Field painting” by critic Clement Greenberg in 1955—a term that stuck—it is a style characterized by significant open space and an expressive use of color. Rothko was one of its pioneers.
Produced by the National Gallery of Art, Washington The National Gallery of Art maintains the largest public collection of work by the American artist Mark Rothko (1903–1970). Mark Rothko: Works on Paper begins with this collection and will, when complete, document some 2,600 drawings, watercolors, and paintings on paper in public and private collections worldwide.
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