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http://witcombe.sbc.edu/baroquetheory/naturalism.html
NATURALISM (Chapter 2 from John Rupert Martin) "The whole art of the Baroque expresses an acceptance of the material world, through the realistic representation of man and nature, through the affirmation of the senses and the emotions and through a new perception of space and inifinity" (Martin, 39) Forms of Naturalism
http://www.newliturgicalmovement.org/2012/04/baroque-naturalism-and-baroque.html
The baroque classicist painting of the same subject is done by the German artist of the 18th century called Anton Raphael Mengs. Sir Anthony Van Dyck. Pedro Orrente. Alonso Cano. Anton Raphael Mengs. As a rule my preference is for the baroque naturalism …
https://catholicnewslive.com/story/20510
Apr 09, 2012 · The baroque classicist painting of the same subject is done by the German artist of the 18th century called Anton Raphael Mengs. Sir Anthony Van Dyck. Pedro Orrente. Alonso Cano. Anton Raphael Mengs. As a rule my preference is for the baroque naturalism style. However, Mengs' handles this subject well, I feel.
http://www.visual-arts-cork.com/history-of-art/classicism.htm
See also the work of Carlo Maratta (1625-1713), who became the leading Baroque artist in Rome after the death of Bernini. One of the most important categories of art developed by the "classical" painters of the 17th century was landscape painting.
https://www.britannica.com/art/Baroque-art-and-architecture/Architecture-painting-and-sculpture
Baroque art and architecture - Baroque art and architecture - Architecture, painting, and sculpture: The arts present an unusual diversity in the Baroque period, chiefly because currents of naturalism and classicism coexisted and intermingled with the typical Baroque style. Indeed, Annibale Carracci and Caravaggio, the two Italian painters who decisively broke with Mannerism in the 1590s and ...
http://witcombe.sbc.edu/baroquetheory/allegory.html
From Mannerism to Baroque Naturalism The Passions of the Soul The Allegorical Tradition Space Time Light Antiquity: THE TRANSCENDENTAL VIEW OF REALITY AND THE ALLEGORICAL TRADITION John Rupert Martin, Chapter 4 "The naturalism of seventeenth-century art is inextricably bound up with a metaphysical view of the world.
https://about-france.com/art/baroque-to-rococo.htm
Here, innovative artists had long since moved on from the naturalism of High Renaissance art, first into a more exaggerated style known as Mannerism, as exemplified in the works of Bronzino or Tintoretto, and then, by the end of the 16th century to a new type of effusive classicism which later on became known as "baroque art" Baroque was not a ...
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