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https://www.artsy.net/artist/berlinde-de-bruyckere
De Bruyckere believes the particular presence or absence of a head is irrelevant because “the figure as a whole is a mental state.” The artist, who had a gory childhood fascination with Lucas Cranach the Elder, began her career in the 1990s and was immediately drawn to figurative works. In her earliest pieces, De Bruyckere used woolen blankets and furniture as her primary materials, purposefully suggesting the …Nationality: Belgian
https://www.saatchigallery.com/artist/berlinde_debruyckere
Berlinde De Bruyckere. K 21 (with detail), 2006. Horse skin, horse hair, epoxy resin, iron, wood, glass. 193 x 177 x 96 cm. An unsettling, reconfigured concept of the body, helpless yet contorted, takes centre stage in Berlinde de Bruyckere’s faceless sculptures.
https://en.wikipedia.org/wiki/Berlinde_de_Bruyckere
Berlinde De Bruyckere (born 1964) is a Belgian contemporary artist. De Bruyckere specializes in sculpture in various media including wax, wood, wool, horse skin and hair, though she also works in watercolour, gouache, and since the early 1990s many of her major works have featured structures involving blankets. Their use is symbolic both of warmth and shelter, and of the vulnerable …Awards: Honorary doctor of the University of Ghent
https://www.hauserwirth.com/artists/2782-berlinde-de-bruyckere
Working with casts made of wax, animal skins, hair, textiles, metal and wood, Berlinde De Bruyckere renders haunting distortions of organic forms. The vulnerability and fragility of man, the suffering body – both human and animal – and the overwhelming power of nature are some of the core motifs of De Bruyckere’s oeuvre.
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