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Betye Saar MoMA

    https://www.moma.org/artists/5102
    Oct 21, 2019 · American, born 1926. In Betye Saar’s work, time is cyclical. History and experiences, emotion and knowledge travel across time and back again, linking the artist and viewers of her work with generations of people who came before them. This is made explicit in her commitment to certain themes, imagery, and objects, and her continual reinvention of them over decades.

Betye Saar Smithsonian American Art Museum

    https://americanart.si.edu/artist/betye-saar-6576
    Betye Saar was born in Pasadena, California. During visits to her grandmother in the Los Angeles neighborhood of Watts, she watched as the fantastic Watts Towers were slowly being constructed by Simon Rodia out of broken glass, bottle tops, and other junk. The experience would later influence her own work. Saar was a latecomer to art.Born: Jul 30, 1926

Betye Saar

    http://betyesaar.net/
    Betye Saar. There has been an apparent thread in my art that weaves from early prints of the 1960's through later collages and assemblages and ties into the current installations. That thread is a curiosity about the mystical. I am intrigued with combining the remnant of memories, fragments of relics and ordinary objects, with the components of ...

Betye Saar - 46 Artworks, Bio & Shows on Artsy

    https://www.artsy.net/artist/betye-saar
    As a participant in the robust African-American Los Angeles art scene of the 1970s, Saar appropriated characters such as Aunt Jemima, Uncle Tom, and other stereotypes from folk culture and advertising in her works—usually collages and assemblages.Nationality: American

Betye Saar Artnet

    http://www.artnet.com/artists/betye-saar/
    Biography Betye Saar is an American artist known for assemblage and collage works. With a found-object process like that of Joseph Cornell and Robert Rauschenberg, Saar explores both the realities of African-American oppression and the mysticism of symbols through the combination of everyday objects.

Betye Saar: The Legends of Black Girl’s Window MoMA

    https://www.moma.org/calendar/exhibitions/5060
    Oct 21, 2019 · Exhibition. Oct 21, 2019–Jan 4, 2020. After nearly a decade of focused work in printmaking, artist Betye Saar created her autobiographical assemblage Black Girl’s Window in 1969. This exhibition explores the relation between her experimental print practice and the new artistic language debuted in that famous work, tracing themes of family, history, and mysticism, which have been at the ...

Inside L.A. Icon Betye Saar's Laurel Canyon Studio C ...

    https://magazinec.com/culture/la-icon-betye-saar-laurel-canyon-studio/
    The assemblage artist has played a pivotal role in the foremost cultural movements of the last century. And at 93, she shows no signs of slowing down. Words by MATT STROMBERG Photography by AMANDA DEMME Creative and Fashion Direction by ALISON EDMOND . In the sloping hills of Laurel Canyon, Betye Saar’s studio is filled with raw materials. Instead of paint or clay, however, these are the everyday objects the assemblage artist …

How Betye Saar Transformed Aunt Jemima into a Symbol of ...

    https://www.artsy.net/article/artsy-editorial-betye-saar-transformed-aunt-jemima-symbol-black-power
    Oct 26, 2017 · Berkeley Art Museum and Pacific Film Archive, Berkeley, California. Photo by Benjamin Blackwell. Courtesy of the artist and Roberts & Tilton, Los Angeles, California. Betye Saar. Shaman, 1991. Roberts & Tilton. By the early 1970s, Saar had been collecting racist imagery for some time. Her Los Angeles studio doubled as a refuge for assorted bric ...

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