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https://www.the-artists.org/bik-van-der-pol/
The artist Bik van der Pol Pseudonym: Liesbeth Bik and Jos van der Pol Born L: 1959; J: 1961, L: Haarlem; J: Arnhem, Netherlands. Lives and works in Rotterdam, Netherlands, . Style and technique of the artist: Installation art, Video, Drawing, Site specific art, Istanbul Biennial, Bik van der Pola…
http://www.artnet.com/artists/bik-van-der-pol/
View Bik van der Pol’s artworks on artnet. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices.
https://www.artsy.net/artist/bik-van-der-pol
Liesbeth Bik (b. 1959) and Jos van der Pol (b. 1961) believe in art’s power to change the way we think about the world. They teamed up as Bik Van der Pol in 1994, and have been working together ever since to create conceptually and socially motivated exhibitions, public …
https://www.mutualart.com/Artist/Bik-van-der-Pol/DC3D562268308515
Bik Van der Pol’s practice explores the potentialities rooted in the local and the public. Utilizing aesthetics’ capacity to make things visible, their works reveal specific places or histories that have disappeared, have been abandoned or left unwritten. Often creating site-specific installations and participatory projects, Bik Van der Pol’s on-going research examines how knowledge is generated …Nationality: Dutch
In collaboration with TAAK and Public Art Amsterdam, Bik Van der Pol are developing Don't Fence Me In. This research project responds to the removal of a work by Peter Struycken from De Nederlandsche Bank (DNB) in Amsterdam, which has to make way to create a more transparent appearance of …
https://www.cafka.org/lecture/bik-van-der-pol
Rotterdam-based artist collective Bik Van der Pol will present their artistic practice as part of the Big Ideas in Art and Culture Lecture Series. Their work is also part of 1mile 2 , an eight-month artistic program mapping Guelph’s cultural ecology.
https://artviewer.org/bik-van-der-pol-at-witte-de-with/
Apr 03, 2017 · Stories and (un-)realized artistic and social projects are brought to light as Bik Van der Pol extend the premises of the investigation beyond the white walls of the institute itself, turning to the cities’ forgotten or disappeared crevices which have stood as departure points for artists working at Witte de With, such as the Perron Nul (Platform Zero) (1987 – 1994), a former methadone distribution …
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