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https://www.poetryfoundation.org/articles/69395/the-negro-artist-and-the-racial-mountain
Langston Hughes was a leader of the Harlem Renaissance of the 1920s. He was educated at Columbia University and Lincoln University. While a student at Lincoln, he published his first book of poetry, The Weary Blues (1926), as well as his landmark essay, seen by many as a cornerstone document articulation of the Harlem renaissance, “The Negro Artist and the Racial Mountain.”.
https://www.thenation.com/article/archive/negro-artist-and-racial-mountain/
The road for the serious black artist, then, who would produce a racial art is most certainly rocky and the mountain is high. Until recently he received almost no encouragement for his work from...Estimated Reading Time: 7 mins
https://genius.com/Langston-hughes-the-negro-artist-and-the-racial-mountain-annotated
The road for the serious black artist, then, who would produce a racial art is most certainly rocky and the mountain is high. Until recently he received almost no encouragement for his work from...
https://www.supersummary.com/the-negro-artist-and-the-racial-mountain/summary/
In “The Negro Artist and the Racial Mountain,” a short essay published by The Nation in 1926, poet Langston Hughes writes about the importance of embracing black culture and the necessity for black artists and authors not to conform to a standardized (i.e. white) idea of artistic expression.
https://www.blackpast.org/african-american-history/1926-langston-hughes-the-negro-artist-and-the-racial-mountain/
The road for the serious black artist, then, who would produce a racial art is most certainly rocky and the mountain is high. Until recently he received almost no encouragement for his work from either white or colored people. The fine novels of Chesnutt go out of print with neither race noticing their passing.
https://courses.lumenlearning.com/atd-pima-writing2/chapter/reading-1-the-negro-artist-and-the-racial-mountain-by-langston-hughes/
Reading #1: “The Negro Artist and the Racial Mountain”, by Langston Hughes by Langston Hughes One of the most promising of the young Negro poets said to me once, “I want to be a poet–not a Negro poet,” meaning, I believe, “I want to write like a white poet”; meaning subconsciously, “I would like to be a white poet”; meaning behind that, “I would like to be white.”
https://www.supersummary.com/the-negro-artist-and-the-racial-mountain/symbols-and-motifs/
Ideally, to Hughes, the Black artist will “stand on top of the mountain, free within [themselves]” (Paragraph 14). Overcoming the racial mountain takes self-acceptance and self-love, which enables Black artists to “express [their] dark-skinned selves without fear or shame” (Paragraph 14).
https://www.gradesaver.com/the-negro-artist-and-the-racial-mountain/study-guide/literary-elements
There is a major obstacle in the way of the serious black artist, according to Hughes: the "racial mountain." This mountain is a racial barrier that does not allow a "colored person" to create a piece of art that people will take seriously; the mountain is a result of the educated black class aspiring to be like the white middle class, therefore leaving the black lower class to fend for itself and transforming the African-American …Estimated Reading Time: 3 mins
https://www.gradesaver.com/the-negro-artist-and-the-racial-mountain/study-guide/summary
Essays for The Negro Artist and the Racial Mountain. The Negro Artist and the Racial Mountain essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of The Negro Artist and the Racial Mountain by Langston Hughes. Double Consciousness and the Harlem RenaissanceEstimated Reading Time: 4 mins
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