Interested in Boris Achour Artiste? On this page, we have collected links for you, where you will receive the most necessary information about Boris Achour Artiste.
https://www.gillesdrouault.com/en/artistes/oeuvres/4890/boris-achour
Art fairs. Multiples. About Us. Contact. New blog ! Boris Achour . Artworks Exhibitions GDM Paris 17, rue Saint - Gilles 75003 Paris + 33 1 48 87 21 ...
https://www.artist-info.com/artist/Boris-Achour
Boris Achour: 15 exhibitions from Dec 1998 - Nov 2015, exhibition venues worldwide of artist Boris Achour, Exhibition History, Summary of artist-info.com records, Solo/Group Exhibitions, Visualization, Biography, Artist-Portfolio, Artwork Offers, Artwork Requests, Exhibition Announcements
https://dailyartfair.com/artist/boris-achour
Artist : Boris Achour Daily Art Fair is the International modern and contemporary art galleries for Current, Past and Futur Galleries exhibitions all around the world.
https://www.ensapc.fr/en/boris-achour/
BORIS ACHOUR; BORIS ACHOUR. Multidisciplinary practices. Artist, born in 1966, ex-student of ENSAPC and ENSBA, co-founder of “Public” art space in Paris (1999-2006) and of …
http://slash-paris.com/en/artistes/borisachour
“At first glance we are struck by the radical formal and conceptual heterogeneity of Boris Achour’s work. Videos, sculptures, drawings, paintings, performances, installations, acoustic pieces… the artist draws on more or less the whole gamut of contemporary art’s know-how, and each one of his projects seems to encompass a specific theme by ushering in its own technical logic, adapted ...
https://borisachour.net/oeuvres-works/12xu-2016/
Bruce Nauman spoke of art that is “like getting hit in the face with a baseball bat 2.” Boris Achour meanwhile offers both at the same time. Art and desire form one entity that produces action, movement and new relationships. News From Friends. With humour and nostalgia, Boris Achour invites in the fictions of others.
https://borisachour.net/oeuvres-works/merzen-2014/
By striving to thwart the terms which form the « Newspeak » of the contemporary art, the criticism of The Encyclopedia of the Nuisances, by Jaime Semprun, is a convenient occasion to distort certain rites connected to the ecology of the exhibitions. » Jeanne Gillard & Nicolas Rivet
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