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MoMA Dada - Museum of Modern Art

    https://www.moma.org/learn/moma_learning/themes/dada/
    Dada artists experimented with a range of mediums, from collage and photomontage to everyday objects and performance, exploding typical concepts of how art should be made and viewed and what materials could be used. An international movement born in neutral Zurich and New York, Dada rapidly spread to Berlin, Cologne, Hannover, Paris, and beyond.

Dada Art Movement: History, Characteristics, Artists

    http://www.visual-arts-cork.com/history-of-art/dada.htm
    In the 1950s and 1960s, some American artists like Robert Rauschenberg (1925-2008), Claes Oldenburg (b.1929), Jasper Johns (b.1930) and Jim Dine (b.1935) even used the term " Neo-Dada art " to describe their "anti-aesthetic" works which used modern materials, popular iconography, and absurdist content.

Dada Movement Overview and Key Ideas TheArtStory

    https://www.theartstory.org/movement/dada/
    Neo-Dada refers to works of art from the 1950s that employ popular imagery and modern materials, often resulting in something absurd. Neo-Dada is both a continuation of the earlier Dada movement and an important precursor to Pop art. Some important Neo-Dada artists include Robert Rauschenberg, Jasper Johns, Robert Morris and Allan Kaprow.

Dada - Wikipedia

    https://en.wikipedia.org/wiki/Dada
    Dada (/ ˈ d ɑː d ɑː /) or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (circa 1916). New York Dada began circa 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until ca. the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists ...

Dada Art: History of Dadaism (1916–1923)

    https://www.thoughtco.com/what-is-dada-182380
    Nov 26, 2019 · Dada Artists . Important Dada artists include Marcel Duchamp (1887–1968, whose "ready-mades" included a bottle rack and a cheap reproduction of the Mona Lisa with a mustache and goatee); Jean or Hans Arp (1886–1966; Shirt Front and Fork); Hugo Ball (1886–1947, Karawane, the "Dada Manifesto," and practitioner of "sound poetry"); Emmy Hennings (1885–1948, itinerant poet and cabaret chanteuse); Tzara (poet, painter, performance artist); Marcel Janco …

Dada - Important Paintings, Collages, Photos TheArtStory

    https://www.theartstory.org/movement/dada/artworks/
    Jan 21, 2012 · With the title, Fountain, Duchamp made a tongue in cheek reference to both the purpose of the urinal as well to famous fountains designed by Renaissance and Baroque artists. In its path-breaking boldness the work has become iconic of the irreverence of the Dada movement towards both traditional artistic values and production techniques.

Dada Definition & History Britannica

    https://www.britannica.com/art/Dada
    At these locations, Dada-like activities, arising independently but paralleling those in Zürich, were engaged in by such artists as Marcel Duchamp, Man Ray, Morton Schamberg, and Francis Picabia. The Zürich group was concerned with issues surrounding the war, but New York Dadaists largely focused on mocking the art establishment.

Neo-Dada Art - Visual Arts Encyclopedia

    http://www.visual-arts-cork.com/history-of-art/neo-dada.htm
    Famous Neo-Dadaists included Robert Rauschenberg (1925-2008), Jasper Johns (b.1930), Larry Rivers (1923-2002), the modernist composer John Cage (1912-92), the metal sculptor John Chamberlain (b.1927), the Performance artist Allan Kaprow (1927-2006), the 'Happenings' pioneer Jim Dine (b.1935), the Nouveau Realiste Yves Klein (1928-62), the Fluxus leader George Maciunas (1931-78), the Pop sculptor Claes Oldenburg (b.1929), the collage artist and father of mail art Ray Johnson …

Performance Art: A Bit of History, Examples and a Fast ...

    https://www.huffpost.com/entry/performance-art-history_b_2029450
    Stating the obvious, it is safe to say that language is a collection of signs. So is performance art. Thierry de Duve, from the University of Lille 3, points to the failing of arts teaching in contemporary art through the failure of both the tradition and, what he calls, the Bauhaus system, "From Rimbaud to Beuys: Everyone is an artist."

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