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https://eastsideprojects.org/wp-content/uploads/2015/10/EASTSIDE_PROJECTS_ROGER_COWARD_2015_PR.pdf
Artist Placement Group (APG[ was a pioneering British art experiment/ with an international reputation/ formed by a group of artists in 1966 including John Latham/ Barbara Steveni and Stuart Brisley. The group was formed to examine the potential of artists in relation to …
https://www.tate.org.uk/artistplacementgroup/chronology.htm
The artist Jeffrey Shaw is given a placement with National Bus Co. John Latham works with the Scottish Office and Lois Price works with Milton Keynes Development Corporation. Stuart Brisley also takes a placement with the Peterlee Development Corporation. The artist, John Latham, and a detail of shale deposit from his work Five Sisters.
https://www.tate.org.uk/artistplacementgroup/atoz.htm
Stuart Brisley An artist and performance artist. His APG placements included Hille International and the Peterlee Development Corporation. He was also a member of the artist NOIT panel.
https://archiveshub.jisc.ac.uk/data/gb70-tga20042
The Artist Placement Group ... Stuart Brisley, and Barry Flanagan, had important placements or early associations with the APG. Today the organisation exists as Organisation and Imagination (O + I), and describes itself as 'an independent, radical international artist initiative, a network consultancy and research organisation'. Its board of ...
https://www.artforum.com/print/201008/rate-of-return-the-artist-placement-group-26419
Stuart Brisley, interview with Peter Byrom (1975), cited in Dodd, “Artist Placement Group,” 24. 10. Brisley, cited in Robert Hewison, Too Much: Art and Society in the Sixties, 1960–1975 (New York: Oxford University Press, 1987), 234.
http://www2.tate.org.uk/artistplacementgroup/overview.htm
Overview The idea of Artist Placement stemmed from a group of UK artists, and was guided by John Latham and initiated by Barbara Steveni, who were experimenting with radical new forms of art. Directed by Steveni, the APG pioneered the concept of art in the social context.
https://www.frieze.com/article/artist-placement-group
When the Artist Placement Group (APG) was founded in London in 1966, by Barbara Steveni in collaboration with her then partner John Latham, it wasn’t the question of labour’s immateriality, but Conceptualism’s radical critique of the materiality of the art object that framed their experimental investigation into the potential for new relationships between art and industry.
https://en.contextishalfthework.net/about-apg/artist-placement-group/
The Artist Placement Group (APG) initiated and organised ‘placements’ for artists in industry or public institutions, where artists researched, worked on projects and realised art works. They made the case for the mutual benefit of the artists’ presence in organisations. Artistic practice and knowledge would no longer be confined to the studio and the gallery, but their field of activity ...
https://www.aqnb.com/2012/11/12/artist-placement-group-retrospective-at-ravens-row/
Nov 12, 2012 · An initial concern before visiting APG retrospective The Individual and the Organisation: Artist Placement Group 1966-79 at Raven Row is that the exhibition (put together by Antony Hudek and Alex Sainsbury in collaboration with Barbara Steveni) would engender an idea of the Artist Placement Group as in some way a collective. But this is a feeling that is repeatedly dispelled both in the layout ...
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