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https://artimage.org.uk/collections/movements/british-constructivism/
Victor Pasmore, Kenneth Martin, Mary Martin and Anthony Hill are the key figures associated with British Constructivism. Many common concerns of these artists included geometrical abstraction, the connection of art and architecture and a common interest in the processes and materials of construction.
https://www.britishartstudies.ac.uk/issues/issue-index/issue-3/british-constructivism-1962
DOI. The exhibition British Constructivist Art opened at the Florida State University Gallery, Tallahassee, in October 1961, and went on to tour the United States and Canada, ending its run at Montclair Art Museum, New Jersey, in September 1962. The exhibition presented constructed abstract works by six “British” artists: Stephen Gilbert, Anthony Hill, Kenneth Martin, Mary Martin, Victor ...Author: Sam Gathercole
https://www.tate.org.uk/art/art-terms/c/constructivism
The constructivists believed art should directly reflect the modern industrial world. Vladimir Tatlin was crucially influenced by Pablo Picasso ’s cubist constructions (Construction 1914) which he saw in Picasso’s studio in Paris in 1913. These were three-dimensional still lifes made of scrap materials.
https://www.rem.routledge.com/articles/overview/constructivism
Marlow Moss (1890–1958) was the first British-born constructivist artist, though at that time, 1928, she was living in Paris and her work made little impact in Britain. In the late 1930s, many European artists, including the Russian constructivist sculptor, Naum Gabo (1890–1977), came to London to escape Nazi and Soviet oppression.
https://www.tate.org.uk/art/artists/john-ernest-1064
During the 1950s together with Anthony Hill, Kenneth Martin, Mary Martin, Stephen Gilbert and Gillian Wise he became a key member of the British constructivist (a.k.a. constructionist) art movement. John Ernest created both reliefs and free standing constructions.
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