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Il Bronzino Biography, Paintings, Style, & Facts ...

    https://www.britannica.com/biography/Il-Bronzino
    Il Bronzino, original name Agnolo di Cosimo di Mariano Tori, Agnolo also spelled Agniolo, (born November 17, 1503, Florence [Italy]—died November 23, 1572, Florence), Florentine painter whose polished and elegant portraits are outstanding examples of the Mannerist style. Classic embodiments of the courtly ideal under the Medici dukes of the mid-16th century, they influenced European court …

Bronzino (1503 - 1572) National Gallery, London

    https://www.nationalgallery.org.uk/artists/bronzino
    Agnolo di Cosimo (called Bronzino) was the leading painter of mid-16th-century Florence. According to Vasari he is the boy on the steps in his teacher Pontormo's 'Joseph with Jacob in Egypt', also in the National Gallery. Influenced, like many other artists of his generation, by Michelangelo, Bronzino is classed as a Mannerist. The refined and stylish artificiality associated with this label can be best …

Agnolo Bronzino (Italian, 1503 - 1572) (Getty Museum)

    https://www.getty.edu/art/collection/artists/883/agnolo-bronzino-italian-1503-1572/
    Agnolo Bronzino Mannerist painter and poet Agnolo di Cosimo Bronzino was the pupil of Pontormo, who influenced him heavily early in his career. By about 1530 Bronzino had moved away from Pontormo's nervous sensibility and developed an art and career independent of his master. His new style was first evident in his portraits.

Agnolo Bronzino - 12 Artworks, Bio & Shows on Artsy

    https://www.artsy.net/artist/agnolo-bronzino
    Best known for his Mannerist portraits, Agnolo Bronzino (usually known as Il Bronzino) served as court painter to Duke Cosimo I de’ Medici for most of his career, and influenced the course of European court painting. With a removed, unemotional style, Bronzino excelled at capturing real-world subjects, but was less successful as a religious painter.Nationality: Italian

Mannerism: Bronzino (1503–1572) and his Contemporaries ...

    https://www.metmuseum.org/toah/hd/zino/hd_zino.htm
    By 1540, Pontormo’s student Agnolo Bronzino (1503–1572) had become the leading artist working in this style in Florence and court painter to Cosimo I de’ Medici, grand duke of Tuscany. Ducal patronage played an important part in Bronzino’s career, as well in those of his contemporaries working in the Medici court, Francesco Salviati (1510–1563) and Giorgio Vasari (1511–1574).

Bronzino :: Italian Renaissance art :: Uffizi Gallery

    https://www.virtualuffizi.com/agnolo-bronzino%3A-portrait-painter-of-the-medici-family.html
    Bronzino was the official portrait painter in the court of the Medici, from about 1540. The family greatly appreciated his art. He worked at the Palazzo Vecchio, where - among the various assignments - he decorated the private chapel of the Grand Duchess. Then he realized several portraits, many still exposed in the Uffizi. He immortalized even some members of the allies of the Medici, like the Doria …

120 Bronzino ideas italian paintings, renaissance art ...

    https://www.pinterest.com/armidaptaylor/bronzino/
    Agnolo Bronzino (Agnolo di Cosimo di Mariano Tori) (Italian, Monticelli 1503-1572 Florence): Artist and Poet at the Court of the Medici. one of the greatest artists in the history of Italian painting. Court artist to Cosimo I de’ Medici (1519-1574), his work embodied the sophistication of the Mannerist style.123 pins

Bronzino (Agnolo di Cosimo di Mariano) Portrait of a ...

    https://www.metmuseum.org/art/collection/search/435802
    Bronzino (Agnolo di Cosimo di Mariano) Italian On view at The Met Fifth Avenue in Gallery 608 The identity of this arrogant young man is unknown, but he must have belonged to Bronzino’s close circle of literary friends in Florence and probably holds a book of poetry.

Agnolo Bronzino Biography artble.com

    https://www.artble.com/artists/agnolo_bronzino/more_information/biography
    Agnolo Bronzino, born Agnolo di Cosimo but most commonly referred to as Bronzino, was a stand-out artist of the second-wave of Italian Mannerism in the middle of the 16th century. He lived his entire life in Florence and modeled his painting style so closely to his Italian Mannerist mentor, Jacopo Pontormo, that art historians today still ...

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