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Albert Camus: The Artist at Work - The Culturium

    https://www.theculturium.com/albert-camus-jonas-or-the-artist-at-work/
    —Albert Camus, Exile and the Kingdom, “Jonas or The Artist at Work” Jonas’ falling from the entrails of the loft is deeply symbolic in that it represents his jettisoning of the final vestiges of his former self into a state of acceptance of his lot; more specifically, taken as a whole, “The Artist at Work” is about falling from societal grace and falling in love with life itself.Estimated Reading Time: 6 mins

La Prospettiva: The Artist at work by Albert Camus

    https://giovanifilosofi.blogspot.com/2011/02/artist-at-work-by-albert-camus.html
    The Artist at Work, is a corrosively witty account of the rise and fall of a minor talent. Gilbert Jonas is a modest Parisian painter who trusts his "star." A dealer discovers him and he is beset by fame. New friends while away his afternoons "begging Jonas to go on working . . . for they weren't Philistines and knew the value of an artist's time."Estimated Reading Time: 4 mins

(DOC) Albert Camus' Jonas, or the Artist at Work ...

    https://www.academia.edu/12293455/Albert_Camus_Jonas_or_the_Artist_at_Work_Deciphering_a_Painting_Solving_a_Contradiction
    1 Albert Camus’ Jonas, or the Artist at Work: Deciphering a Painting, Solving a Contradiction William F. Birdsall February 3, 2015 Following are abbreviations used for Camus works cited in the text. Complete bibliographic information is given in the bibliography at the end of the text.

Create Dangerously: Albert Camus on the Artist as a Voice ...

    https://www.brainpickings.org/2018/05/02/albert-camus-create-dangerously/
    May 02, 2018 · A century after Emerson scoffed that “masses are rude, lame, unmade, pernicious in their demands and influence [and one must not] concede anything to them, but to tame, drill, divide, and break them up, and draw individuals out of them,” Camus considers the forces that warp creative work and lead to a “surrender of the artist.” In a sentiment of sundering pertinence to our own age of so-called …Estimated Reading Time: 8 mins

Create Dangerously: Albert Camus and the Power and ...

    https://quillette.com/2019/12/12/create-dangerously-albert-camus-and-the-power-and-responsibility-of-the-artist/
    Dec 12, 2019 · For Camus, great art develops between the two chasms of frivolity and propaganda, where every step forward is a dangerous one. He warns both against what he sees as the superficiality, or frivolity, of “art for art’s sake” and propaganda, or “lies of the realists.” These two ideological positions for artists, only restrict their freedom:

Albert Camus - Wikipedia

    https://en.wikipedia.org/wiki/Albert_Camus
    His works include The Stranger, The Plague, The Myth of Sisyphus, The Fall, and The Rebel . Camus was born in Algeria (at the time, a French colony) to French Pieds Noirs parents. His citizenship was French. He spent his childhood in a poor neighbourhood and later studied philosophy at …

Albert Camus - Books, Quotes & Facts - Biography

    https://www.biography.com/scholar/albert-camus
    Jul 16, 2020 · Albert Camus became known for his political journalism, novels and essays during the 1940s. His best-known works, including The Stranger (1942) and …

TRACE: Tennessee Research and Creative Exchange

    http://trace.tennessee.edu/cgi/viewcontent.cgi?article=1093&context=utk_chanhonoproj
    Camus concludes by providing a mythological example of man versus the Absurd human condition in which he explains the parallel between Sisyphus and modern man. The style of Camus' essays is rather difficult to follow. He presents an idea and then finds ways to avoid discussing it.

Caligula (play) - Wikipedia

    https://en.wikipedia.org/wiki/Caligula_(play)
    Caligula is a play written by Albert Camus, begun in 1938 (the date of the first manuscript 1939) and published for the first time in May 1944 by Éditions Gallimard. The play was later the subject of numerous revisions. It was part of what the author called the "Cycle of the Absurd", with the novel The Stranger (1942) and the essay The Myth of Sisyphus (1942).

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