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http://www.antoniocanova.org/george-washington/
This George Washington statue was carved by the famous Italian neoclassical marble sculptor, Antonio Canova, after it was commissioned in the year 1816 by the General Assembly of North Carolina. The full-length marble statue depicted the United States of America's founding father, George Washington, with a pen on his right hand and a big tablet on his left hand ready to write on it.
https://northcarolinahistory.org/encyclopedia/canova-statue-george-washington/
In 1815, North Carolina decided to erect a statue to commemorate George Washington. Debate ensued whether America possessed the human and artistic capital to create a grand sculpture on the scale of the Canova statue. Some believed it could, but others …
https://www.apollo-magazine.com/art-diary/canovas-george-washington/
The exhibition also includes Thomas Lawrence’s oil portrait of Canova from 1816, which, like the model and several sketches, will be on loan from the Gypsotheca e Museo Antonio Canova in Possagno, Italy, the birthplace of the artist. Find out more about ‘Canova’s George Washington’ from …
https://www.lifeinitaly.com/culture/art/george-washington/
Canova is the highest representative of European neo-classical sculpture, who lived between the 18th and early 19th century. His work inspired words of awe from the great and the powerful of his times, with German Goethe and British Wordsworth among his warmer admirers.
https://www.frick.org/press/canova%E2%80%99s_george_washington
Canova’s George Washington examines the history of the artist’s lost masterpiece, probably the least well known of his public monuments. It brings together for the first time Canova’s full-sized preparatory plaster model (which has never left Italy), four preparatory sketches for the sculpture, and related engravings and drawings.
https://www.beyondshipsart.com/art-review-canovas-george-washington.html
It is unusual to base an exhibition around a work of art that no longer exists. However, in “Canova's George Washington,” the Frick Collection presents the absorbing story of a statue that was destroyed in 1831. The story begins in 1816, when the General Assembly of North Carolina decided to commission a statue of George Washington for the State House in Raleigh.
https://www.frick.org/press/canova%E2%80%99s_george_washington_0
Canova began working on the sculpture in the summer of 1817. As was his custom, he produced a number of drawings and three-dimensional sketches, both in plaster and terracotta, in preparation for a life-size plaster modello of his subject, before tackling the marble block. George Washington as Subject. Canova faced two primary challenges.
https://consnewyork.esteri.it/consolato_newyork/resource/doc/2018/05/en_canova_collegamento__press_kit_2.pdf
Canova George Washington di Canova in collaoration ith R V Venice International Foundation venice forever G M A C ia Canoa 1 ossagno , Ital ostamuseocanoa.it www.museocanoa.it V I F orsoduro 1 1 enice, Ital 1 8 infoenicefoundation.org www.enicefoundation.org T F C 1 ast th Street Ne or, N 11 1 1 88 infofric.org www.fric.org
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