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Capitol Rotunda Architect of the Capitol

    https://www.aoc.gov/explore-capitol-campus/buildings-grounds/capitol-building/rotunda
    Conceived in the age of neoclassicism, the Rotunda was intended to recall the Pantheon, the ancient Roman temple. Bulfinch created in the U.S. Capitol Rotunda an ambitious orchestration of architecture, sculpture and painting. The curved sandstone walls are divided by fluted Doric pilasters with wreaths of olive branches carved in the frieze above.

Apotheosis of Washington Architect of the Capitol

    https://www.aoc.gov/explore-capitol-campus/art/apotheosis-washington
    Painted in 1865 by Constantino Brumidi, the Apotheosis of Washington in the eye of the U.S. Capitol Building's Rotunda depicts George Washington rising to the heavens in glory, flanked by female figures representing Liberty and Victory/Fame and surrounded by six groups of figures. The fresco is suspended 180 feet above the Rotunda floor and covers an area of 4,664 square feet.

The Art Collection Architect of the Capitol

    https://www.aoc.gov/explore-capitol-campus/art
    Painted in 1865 by Constantino Brumidi, the Apotheosis of Washington in the eye of the U.S. Capitol Building's Rotunda depicts George Washington rising to the heavens in glory.

Constantino Brumidi Architect of the Capitol

    https://www.aoc.gov/explore-capitol-campus/art/constantino-brumidi
    Brumidi worked intensively at the U.S. Capitol through the early 1860s and sporadically after 1865, adding murals into the 1870s. His major contributions are the monumental canopy and frieze of the new Capitol Dome. In the canopy over the Rotunda he painted The Apotheosis of Washington in 1865. Brumidi began painting the frieze depicting major events in American history in 1878 but died on …

Study for the Apotheosis of Washington in the Rotunda of ...

    https://americanart.si.edu/artwork/study-apotheosis-washington-rotunda-united-states-capitol-building-84517
    Creative Commons Zero license. Brumidi was commissioned to paint the ceiling decoration in the rotunda of the United States Capitol, and presented this study to gain approval to begin the monumental work. He chose to paint George Washington in the center of the dome, having ascended to the heavens, looking down upon the visitor.

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