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http://www.jeanbaptistesimeonchardin.com/
One of the true masters of still life painting, Jean-Baptiste-Siméon Chardin remains a highly regarded French artist from the 18th century. Here we examine his qualities as an artist and the techniques that he used to create incredibly life-like depictions of everyday objects.
https://www.britannica.com/biography/Jean-Baptiste-Simeon-Chardin
Jean-Baptiste-Siméon Chardin, (born November 2, 1699, Paris, France—died December 6, 1779, Paris), French painter of still lifes and domestic scenes remarkable for their intimate realism and tranquil atmosphere and the luminous quality of their paint.
https://www.nationalgallery.org.uk/artists/jean-simeon-chardin
Chardin, a carpenter's son, was born in Paris. He was apprenticed to the painter P.-J. Cazes, and also assisted Noel-Nicolas Coypel, passing through the Académie de St-Luc. His output falls into distinguishable phases. In 1728 he was inscribed in the academy as a painter 'of animals and fruits'.
https://www.artsy.net/artist/jean-simeon-chardin
Biography During his life and after, Jean-Baptiste-Siméon Chardin was venerated as a master of genre painting. Chardin’s primary subject was “la vie silencieuse” (or “the silent life”)—humble, everyday scenes and vignettes. He painted scenes from family life, domestic interiors, still lifes, and ocassional portraits.Nationality: French
https://artyfactory.com/art_appreciation/still_life/chardin.htm
Chardin was one of greatest still life painters in the history of art. The intensity of his vision opens our eyes to see beauty in the everyday objects that surround us. JEAN BAPTISTE SIMÉON CHARDIN (1699-1779) 'The Brioche', 1763 (oil on canvas)
https://www.youtube.com/watch?v=0h4mUisojkQ
Mar 20, 2019 · Jean-Baptiste-Siméon Chardin (1699-1779) A collection of paintings 4K Ultra HD - YouTube Jean-Baptiste-Siméon Chardin (1699-1779) was an 18th-century French painter. He is considered a master of...Author: Master Painters
https://www.christies.com/en/lot/lot-5649665
No artist before Chardin, or since, has constructed his compositions in a comparable manner, and their dramatic and destabilizing effect when they were first exhibited in the Salon was captured by his friend, Charles-Nicolas Cochin in his life of Chardin (1780), when he wrote "Although in general his touch was not very agreeable and in a way rough, there were few paintings which could sustain themselves next …
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