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https://www.coursehero.com/file/83381316/Chinese-and-Japanese-Artdocx/
2 Chinese literati painting style was composed by the educated elites comprised of both painting and calligraphy. The painters were intellectuals from the different dynasties at the time. Literati painters were not professional painters but armature and aimed at self-expression through art. During the era, the development of paintings was through the improvement of paintings from the earlier ...
https://global.chinadaily.com.cn/a/202103/03/WS603f54f1a31024ad0baac82b.html
Mar 03, 2021 · The China Cultural Center in Tokyo and Japan Global Association held an art exhibition featuring works by two Chinese and Japanese artists from Feb 17 to March 1. The venue, decorated with incense and plants, enhanced the exhibition’s atmosphere.
http://europe.chinadaily.com.cn/a/202103/03/WS603f54f1a31024ad0baac82b.html
Mar 03, 2021 · The China Cultural Center in Tokyo and Japan Global Association held an art exhibition featuring works by two Chinese and Japanese artists from Feb 17 to March 1. The venue, decorated with incense and plants, enhanced the exhibition’s atmosphere. Due to the COVID-19 epidemic, the event went without an opening ceremony and set up separate ...
https://artnprojects.weebly.com/chinese-vs-japanese-painting.html
Japanese artists combined traditional Chinese ink and brushwork techniques, however they included patterns and bright colors which made the paintings very decorative. Meeting of Emperor Wen and Fisherman Lü Shang by Tano Takanobu
https://owlcation.com/humanities/koi-fish-art
Feb 07, 2012 · Carp art - and in particular koi art - is some of the most famous artwork to be exported from Asia. In "Chinese and Japanese Koi Fish Art", Chinese and Japanese carp paintings, koi art, and the history and cultural significance behind the carp are discussed.
https://static.artmuseum.princeton.edu/asian-art/japan/timeline
Interestingly, two of the most socially active Western-style painters of the Taishō era, Kishida and Yorozu, along with a number of their colleagues, turned away from yōga to styles inspired by traditional Japanese and Chinese painting in their later years.The Taishō period was a difficult time for traditional print artists, who found their work increasingly marginalized, and who sought ways to survive in a …
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