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Christopher Perricone, Artist and audience - PhilPapers

    https://philpapers.org/rec/PERAAA-2
    Christopher Perricone. Journal of Value Inquiry 24 (3):199-212 (1990) Authors Christopher Perricone Iona College Abstract This article has no associated abstract. (fix it) ... Art and Audience. Nick Zangwill - 1999 - Journal of Aesthetics and Art Criticism 57 (3):315-332.Author: Christopher Perricone

Does the Philosophy of Art Have a Mind/Body Problem ...

    https://philosophynow.org/issues/46/Does_the_Philosophy_of_Art_Have_a_Mind_Body_Problem
    Christopher Perricone says that the short answer is “Yes” and the long answer is this article. Many books about art and the philosophy of art include discussions of artistic materials. By artistic materials I mean the stuff from which the work of art emerges. Stuff such as limestone, marble ...

Artist and audience SpringerLink

    https://link.springer.com/article/10.1007/BF00149433
    Jul 01, 1990 · Artist and audience. Christopher Perricone 1 ... Christopher Perricone; Authors. Christopher Perricone. View author publications. You can also search for this author in . PubMed; Google Scholar Rights and permissions. Reprints and Permissions. About this article. Cite this article ...Cited by: 2

Letters Issue 48 Philosophy Now

    https://philosophynow.org/issues/48/Letters
    Let’s carry Perricone’s phenomenological position forward, considering not only the audience but also how artists themselves experience their art works. Unlike the audience, I think the artist experiences both materials and the final work as an inseparable unity. Therefore we might conclude that the audience could share in that experience through formal study of artistic materials and procedures. In my view, however, when it comes to materials. artist and audience …

Works by Christopher Perricone - PhilPapers

    https://philpapers.org/s/Christopher%20Perricone
    Artist and Audience. Christopher Perricone - 1990 - Journal of Value Inquiry 24 (3):199-212. Aesthetics. Value Theory. Direct download . Export citation . Bookmark 48 . Art and the Metamorphosis of Art Into History. Christopher Perricone - 1991 - British Journal of Aesthetics 31 (4):310-321. ...

Best Jazz Pianists: A Top 50 Countdown uDiscover

    https://www.udiscovermusic.com/stories/best-jazz-pianists/
    Features The 50 Best Jazz Pianists Of All Time. From iconic bandleaders to unique talents, the best jazz pianists both shaped the genre and revolutionized the role of the piano in music.

The Journal of Value Inquiry Volume 24, issue 3

    https://link.springer.com/journal/10790/volumes-and-issues/24-3
    Artist and audience Authors. Christopher Perricone; Content type: Articles; Published: 01 July 1990; Pages: 199 - 212; A pragmatic version of natural law Authors. Edward Walter; Content type: Discussions; Published: 01 July 1990; Pages: 213 - 225; Fingarette and Johnson on retributive punishment

Vol. 38, No. 2, Summer, 2004 of The Journal of Aesthetic ...

    https://www.jstor.org/stable/i279733
    Description: The Journal of Aesthetic Education is a highly respected interdisciplinary journal that focuses on clarifying the issues of aesthetic education understood in its most extensive meaning. The journal thus welcomes articles on philosophical aesthetics and education, to problem areas in education critical to arts and humanities at all institutional levels; to an understanding of the ...

ANTONIA PERRICONE MRLJAK - Posts Facebook

    https://www.facebook.com/ANTONIA-PERRICONE-MRLJAK-2100057326728523/posts
    ANTONIA PERRICONE MRLJAK. 263 likes. Art. OH YES # Repost @nandahobbs Subscribe with @nandahobbs to book in for show times and dates so we are not all squeezey !

The Life and Work of Christopher Dresser, 1834-1904

    http://www.victorianweb.org/art/design/dresser/durant1.html
    In 1871 he claimed before an audience at the Royal Society of Arts: "true ornamentation is of purely mental origin, and consists of symbolised imagination only... ornamentation is not only fine art, but... it is high art... even a higher art than that practised by the pictorial artist, as it is wholly of mental origin'."

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