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Conceptual Art Movement Overview TheArtStory

    https://www.theartstory.org/movement/conceptual-art/
    Oct 01, 2012 · Conceptual art is a movement that prizes ideas over the formal or visual components of art works. An amalgam of various tendencies rather than a tightly cohesive movement, Conceptualism took myriad forms, such as performances, happenings, and ephemera. From the mid-1960s through the mid-1970s Conceptual artists produced works and writings that completely rejected standard ideas of art.

Conceptual art of the 1960s and 70s - Austin Artists Market

    https://www.austinartistsmarket.com/conceptual-art-of-the-1960s-and-70s/
    A 1960s innovation prioritizing idea over execution. At its extreme, a conceptual art work may consist only of a brief written description or set of instructions for fabrication. However, in practice, conceptual art intermingled freely with other 1960s and 1970s tendencies, such as minimalism, earth art, and performance art, as well as politically oriented art. ...

10 Conceptual Artists You Need to Know Widewalls

    https://www.widewalls.ch/magazine/10-conceptual-artists
    Nov 20, 2014 · Another internationally renowned conceptual artist from the United Kingdom on our list is Robert Montgomery (1972), London based Scottish artists, widely known for his standout public intervention pieces that introduce poetry into urban and industrial landscapes through forms of captivating light installations, recycled sunlight pieces, fire poems, and billboards. Educated in the Situationism …

Conceptual art – Art Term Tate

    https://www.tate.org.uk/art/art-terms/c/conceptual-art
    As a definable movement conceptual art is associated with the 1960s and 1970s, but its origins reach beyond these two decades. Marcel Duchamp is often seen as an important forefather of conceptual art, and his readymade Fountain of 1917 cited as the first conceptual artwork.

The 1970s - Artsy

    https://www.artsy.net/article/artsy-editorial-the-most-iconic-artists-of-the-1970s
    Aug 11, 2015 · In history, Gutai serves as somewhat of an “artist’s art”—while performance and conceptual work in the 1970s was heavily influenced by these Japanese practitioners, their work rarely surfaced in Western exhibitions of the time.

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