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Confrontational Ceramics: The Artist as Social Critic by ...

    https://www.goodreads.com/book/show/5237803-confrontational-ceramics
    Aug 01, 2008 · Confrontational Ceram Clay may start out soft, but in the right hands it can deliver a hard blow. From British Toby Jugs to Marcel Duchamp's Fountain to a wall of gruesome tiles that forms a portrait of President George W. Bush, ceramic art has the power to provoke and subvert.4.5/5(17)

Confrontational Ceramics: Schwartz, Judith S ...

    https://www.amazon.com/Confrontational-Ceramics-Judith-S-Schwartz/dp/0812241398
    Confrontational Ceramics surveys the work of contemporary sculptors, potters, and mixed media artists who have turned the ancient medium of clay into an articulate vehicle for political and social commentary. Educator and curator Judith S. Schwartz gathers the works of more than two hundred artists from thirty different countries into a glossy full-color overview of the radical ceramics scene.4.4/5(12)

Confrontational ceramics : the artist as social critic ...

    https://www.worldcat.org/title/confrontational-ceramics-the-artist-as-social-critic/oclc/226974973
    Confrontational ceramics : the artist as social critic. [Judith S Schwartz] -- "This book looks at the use of ceramics as a tool for confrontation, where artists use this ancient and most plastic of media to make provocative commentaries about the inequities of the human ...

ART IN REVIEW; 'Confrontational Clay' -- 'The Artist as ...

    https://www.nytimes.com/2001/03/09/arts/art-in-review-confrontational-clay-the-artist-as-social-critic.html
    Mar 09, 2001 · Ken Johnson reviews American Craft Museum sculpture show Confrontational Clay: The Artist as Social Critic (S) ... 'The Artist as Social Critic' By ... there are some fine works of ceramic ...

Confrontational Clay: The Artist as Social Critic ...

    https://www.springfieldart.net/?exhibition=confrontational-clay-the-artist-as-social-critic
    Oct 07, 2001 · » Confrontational Clay: The Artist as Social Critic » Tomoko Parry: Drawings & George Hageman: Ceramics » Nancy Fletcher Cassell: Naturemind » Angelo Ippolito: A Lifetime of Paintings » 55th Annual Members’ Juried Exhibition

Amazon.com: Customer reviews: Confrontational Ceramics

    https://www.amazon.com/Confrontational-Ceramics-Judith-S-Schwartz/product-reviews/0812241398
    Confrontational Ceramics: The Artist as Social Critic [CONFRONTATIONAL CERAMICS] [Hardcover] Book looks at how ceramic artist are using the media to make provocative commentaries about the inequities of the human condition. Confrontational Ceramics is not for the closed minded.

Confrontational Ceramics Book by Judith S. Schwartz

    http://confrontationalceramics.com/
    Confrontational Ceramics surveys the work of contemporary sculptors, potters, and mixed media artists who have turned the ancient medium of clay into an articulate vehicle for political and social commentary. Educator and curator Judith S. Schwartz gathers the works of more than two hundred artists from thirty different countries into a glossy full-color overview of the radical ceramics scene.

CRAFTING A STATEMENT Artists use ceramics to tackle social ...

    https://www.nydailynews.com/crafting-statement-artists-ceramics-tackle-social-issues-article-1.901470
    Jan 27, 2001 · Works in the show, subtitled "The Artist as Social Critic," use images of violence, humor, parody, irony, obscenity and the grotesque to make …

Interpreting Ceramics : issue 11: Zelli Porcelain Award 2009

    http://interpretingceramics.com/issue011/articles/07.htm
    Social criticism has been the artist’s role for as long as there has been art and even if we narrow her ‘new’ claim down just to modern ceramics, it is unconvincing. The high point for confrontational ceramics arrived in the 1960s with Voulkos leading the charge for the vessel and Robert Arneson for the figure.

Publications & Press — Judith S. Schwartz

    https://www.judyschwartz.com/publications-and-press/
    Confrontational Ceramics: The Artist as Social Critic. A&C Black, London in association with University of Pennsylvania Press, Philadelphia, 2008. 260 pages, 246 artists, 30 countries. This book focuses upon the work of an international group of artists who employ clay to attack, satirize and/or expose the perfidy of the human condition and its institutions.

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