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Conceptual art Britannica

    https://www.britannica.com/art/conceptual-art
    Conceptual art is typically associated with a number of American artists of the 1960s and ’70s—including Sol LeWitt, Joseph Kosuth, Lawrence Weiner, Robert Barry, Mel Bochner, and John Baldessari —and in Europe with the English group Art & Language (composed of Terry Atkinson, Michael Baldwin, David Bainbridge, and Harold Hurrell), Richard Long (English), Jan Dibbets (Dutch), and Daniel Buren …

Conceptual art – Art Term Tate

    https://www.tate.org.uk/art/art-terms/c/conceptual-art
    In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. LeWitt, ‘Paragraphs on Conceptual Art’, …

Conceptual Art Movement Overview TheArtStory

    https://www.theartstory.org/movement/conceptual-art/
    Oct 01, 2012 · Conceptual artists link their work to a tradition of Marcel Duchamp, whose readymades had rattled the very definition of the work of art. Like Duchamp before them, they abandoned beauty, rarity, and skill as measures of art. Conceptual artists recognize that all art is essentially conceptual.

Famous Conceptual Artists List of All Conceptual Painters

    https://www.ranker.com/list/famous-conceptual-art-artists/reference
    Jun 14, 2019 · These notable Conceptual art period artists are organized by popularity, so the best artists are at the top of the list. If you think the best Conceptual art artist isn't as high as they should be then be sure to give them an upvote. Examples of artists …

What is Conceptual Art? (Development and evolution ...

    https://magazine.artland.com/conceptual-art/
    May 17, 2019 · Conceptual art emerged as an art movement in the 1960s, critiquing the previously ruling modernist movement and its focus on the aesthetic. The term is usually used to refer to art from the mid-1960s to the mid-1970s. In Conceptualism, the idea or concept behind the work of art became more important than the actual technical skill or aesthetic.

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