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https://indiearts.in/artists/
AKBAR PADAMSEE, A MASTER, IN HIS 90S WITH BOUNDLESS CREATIVE ENERGY, IS ONE OF THE TOP CONTEMPORARY ARTISTS OF INDIA. BORN IN 1928 IN AN AFFLUENT MUSLIM FAMILY OF BHAVNAGAR DISTRICT, GUJARAT, HE WENT TO SIR J.J. SCHOOL OF ART IN MUMBAI TO STUDY DIPLOMA IN PAINTING. IN 1951, HEWENEstimated Reading Time: 7 mins
https://affordindianart.blogspot.com/2007/10/top-indian-printmakers.html
Oct 20, 2007 · At this moment, here in India, Indian printmakers are normally working with the following major areas: Relief, Intaglio, planography and Serigraphy. The recent entry into the field of Indian Printmaking is Digitography and mixed media as we see in recent experiments by Ghulam Sheikh, Ravikumar Kashi, and Shukla Sawant.Estimated Reading Time: 3 mins
https://courses.lumenlearning.com/boundless-arthistory/chapter/contemporary-indian-art/
Akbar Padamsee, a contemporary Indian artist and painter, has worked with various mediums, from oil painting, plastic emulsion, water color, sculpture, and printmaking to computer graphics and photography. He has also worked as a filmmaker, sculptor, photographer, engraver, and lithographer.
https://www.livemint.com/Leisure/03fuuzZ1jPvM8vhfSux1VM/23-young-artists-you-should-know.html
Rohini Devasher is one of the more prolific contemporary artists in India today, and also much celebrated—she has won the Inlaks Fine Arts Award twice in a row (2007, 2008), received the Sarai ...
https://en.wikipedia.org/wiki/List_of_printmakers
Old master print period – c. 1800 15th century. Northern. Master of the Playing Cards En; Master ES En; Master of the Housebook En; Martin Schongauer En; Master I. A. M. of Zwolle En; Master of the Weibermacht En; Master L. Cz. En Israhel van Meckenem En; Mair von Landshut, En, Wo; Master MZ, En; Master W with the Key En; Master W. B. En Michael Wolgemut Wo; Erhard Reuwich Wo; Italian
https://www.theheritagelab.in/5-women-artists-of-india/
The tribal artists were understandably wary of teaching her the entire process, and so she experimented till she could call the art her own. Meera added to the art, her unique imagery and patterns while retaining the myth, folklore and rural-urban imagery. A popular example is the Nataraja with 3 legs.
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