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https://soundcharts.com/blog/the-mechanics-of-management
3 Main Steps to Building an Artist Team. The core of the artist’s team consists of publishers, record labels, concert promoters and booking agents. The Artist Managers are the grand overseer of that whole team, and they are the ones getting that band together in the first place.
https://www.thebalancecareers.com/what-is-a-record-label-2460614
Record Label Control . Record labels typically set the terms and conditions of artist contracts in their favor. In the case of newly signed artists, record labels can control the type of music they record, which can include everything from the way the music sounds to the song lyrics. They also control album cover art in most instances.
https://caricole.com/ugly-truth-record-labels-kill-artistry-instincts/
I think the best thing you can do as an artist is to hold on to your integrity, develop your ideas and not give in to what you think people want to hear. Instead, hold fast to your instincts, write the music that is in your soul and nothing less.
https://heroic.academy/truth-about-record-deals/
For smaller artists without a track record, advances today are anywhere between $500 – 2.500 for singles and $2.500 – $7.500 for EPs. A flat fee is a single payment used to buy off an artist’s ownership or revenue rights on a record. This is either done by considering the record a work for hire, or by a transfer of ownership. In either case, the label does not need to pay any future royalties.
https://www.popsugar.com/entertainment/What-Does-Mean-Own-Your-Masters-Music-46337890
Put simply, controlling the master rights essentially means you have control over what is done with the song or album, full stop. When record labels are valued and sold, their ownership of masters...
https://www.soundonsound.com/music-business/guide-contracts-producers
If the artist is unhappy and a record deal isn't procured, the artist should be free to terminate the arrangement. But if a record deal is signed, and success should follow, the production company will be able to exercise its option to continue the deal; it might take until the second or third album before an artist starts selling records in any significant quantity.
https://www.marketplace.org/2020/11/17/taylor-swift-re-recording-her-old-songs-control-licenses/
Most artists don’t own their music; the record labels do. They get ownership of the masters because they pay for the recordings. That’s how it goes in the music business. And Butler doesn’t think...
https://www.theguardian.com/careers/what-does-a-music-manager-do
If you're managing unsigned artists, your priority will be to generate as much work as possible to get them noticed and paid. Whether you're managing unknown musicians or major record labels, it's...
https://recording.org/community/threads/what-does-owning-the-master-mean-exactly.29794/
Whomever paid for the recording usually owns the original recordings. They typically pay artists and producers a royalty for each unit sold. If you paid for the recording, and you are the artist and the producer, you get to keep every dime. - controlling points on a record deal:
https://www.motownrecords.com/artists/quality-control-music/
Bottom line – QC exists to creatively support the artists’ vision. “You can’t just depend on the music alone,” says Pee. “Too many talented artists have gone unnoticed. You’ve got to have seven different hustles.” In addition, the label took control of its own publishing, promotion, and management divisions.
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