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D. Dominick Lombardi – Shiva Gallery

    https://shivagallery.org/d-dominick-lombardi/
    D. Dominick Lombardi is an artist, writer and curator. He is represented by Kim Foster Gallery, New York, NY. Feature articles and reviews of his art have appeared in Sculpture, WHITEHOT (Canada), ARTES magazine, ARTnews, The New York Times, , O2magazine (China), Post Road Magazine (issue 19), nyartbeat, The Advocate & Greenwich Time, The M magazine, Time Out New York, Skin & Ink, …

D. Dominick Lombardi Kolaj Magazine Artist Directory

    http://kolajmagazine.com/artistdirectory/d-dominick-lombardi
    D. Dominick Lombardi (b. 1954, Bronx, New York) is a painter, sculptor, collage and mixed media artist as well as an art writer and curator. One constant in his work over the past 30 years is the repurposing of discarded or forgotten materials.

D. Dominick Lombardi - Art Gallery Kim Foster Gallery

    https://kimfostergallery.com/d-dominick-lombardi/
    D Dominick Lombardi’s series combines the destructive/creative approach of graffiti with the aesthetics of the tattoo. The works consist of a linear design painted over a completed, sometimes abandoned painting. They mark an end of one way of thinking and begin a new path of esthetic release.

D. Dominick Lombardi - Mixed Media - Studio LinkedIn

    https://www.linkedin.com/in/d-dominick-lombardi-a6480611
    View D. Dominick Lombardi’s profile on LinkedIn, the world’s largest professional community. D. Dominick has 6 jobs listed on their profile. See the complete profile on LinkedIn and discover D ...Title: Artist at D. Dominick Lombardi

D. Dominick Lombardi - Artist - Writer - Curator : Image ...

    https://www.ddlombardi.com/image-folders/graffoos-2006-2009
    D. Dominick Lombardi - Artist - Writer - Curator : Image Folders : Graffoos 2006-2009. Image Folders > Graffoos 2006-2009. 1. /. 2. Lombardi is a razzle-dazzle impresario of the kitsch object, an explorer of clichéd roles and social disguises. His approach to the kitschy illustrates the characteristic strengths—and, at times, the principal weakness—of this tradition.

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